Dylan Vitone, panoramic photographs
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- Creators:
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Vitone, Dylan
- Dates:
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ca. 2004-2007.
- Size:
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2 Cubic Feet
- Collection ID:
- NMAH.AC.1200
- Repository:
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Archives Center, National Museum of American History
These photographs are archival inkjet prints from a body of work entitled the Pittsburgh Project.
Found In
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- Creators:
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Heagins, Titus Brooks
- Dates:
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circa 1997-2004
- Size:
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0.1 Linear feet ((1 oversize folder))
- Collection ID:
- ACMA.06-040
- Repository:
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Anacostia Community Museum Archives
The collection, which dates from circa 1997-2004 and measures .01 linear feet, documents the people and environment of Cuba and Belize, as well as African American communities and religious life. The collection is comprised of inkjet prints.
Found In
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- Creators:
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Stewart, Charles, 1927-
- Dates:
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1964 - 1971
- Size:
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0.15 Cubic feet
- Collection ID:
- NMAH.AC.1321
- Repository:
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Archives Center, National Museum of American History
The collection consists of twenty-five inkjet prints from original film negatives of John Coltrane and others. The majority of the photographs were taken by Stewart during the December 10, 1964 recording of Coltrane's biggest hit, "A Love Supreme". Some of the images include Coltrane's wife, Alice Coltrane, and others include musicians Pharoah Sand...
Found In
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- Creators:
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Nahwooks, Reaves F., Rev. Dr.
Bigbee, Walter
- Dates:
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1998
- Size:
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1 Item (linear inch , 3 sound cassettes)
- Collection ID:
- NAA.MS1999-16
- Repository:
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National Anthropological Archives
This collection consists of 3 audiocassettes of interviews conducted by Rev. Dr. Reaves F. Nahwooks in 1998 with members of the Shoshone-Bannock Tribe of the Fort Hall Reservation in Ft. Hall, Idaho. These interviews were designed to gain information on the original relationship between Shoshones and Comanches, the early history of the two tribes a...
Found In
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- Creators:
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Waagenaar, Emile
- Dates:
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1980-2008
- Size:
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0.5 Cubic feet (64 items)
- Collection ID:
- NMAH.AC.1150
- Repository:
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Archives Center, National Museum of American History
Environmental portraits of Cajun musicians: 64 inkjet photographic prints, 1980-2008, some in black-and-white and others in color.
Found In
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- Creators:
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Schiff, Thomas R.
- Dates:
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2002-2010
- Size:
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0.5 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.1338
- Repository:
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Archives Center, National Museum of American History
Twenty color inkjet prints of panoramic photographs by Thomas R. Schiff, depicting American architecture, including interior and exterior views, and street scenes.
Found In
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- Creators:
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Marcou, David Joseph, 1950-
- Dates:
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circa 1980-1981, 2002-2008
- Size:
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0.1 Cubic feet (1 box, 21 items)
- Collection ID:
- NMAH.AC.1187
- Repository:
-
Archives Center, National Museum of American History
Twenty-one digital photographic prints of miscellaneous subjects from photographs taken by David J. Marcou. These images are "born-digital" photographs, 2002-2008, except for the earliest, made on black-and-white negative film in 1980 or 1981.
Found In
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- Creators:
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Northlight of Colorado, Inc.
Jacobson, Jake
- Dates:
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1996-2000
- Size:
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8 framed print
3.42 Cubic feet (2 boxes, 1 oversize folder)
- Collection ID:
- NMAH.AC.0866
- Repository:
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Archives Center, National Museum of American History
Collection consists of photoprints and other materials created by Jacob Jacobson for the "Heart & Hands: Musical Instrument Makers of America" exhibition circulated by the Smithsonian Institution Traveling Exhibition Service (SITES), from April 2000 to early 2004.
Found In
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- Creators:
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Sirkis, Nancy
- Dates:
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circa 2008-2009
- Size:
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10 Photographic prints
- Collection ID:
- NMAH.AC.1186
- Repository:
-
Archives Center, National Museum of American History
Color digital photographic prints by Nancy Sirkis, some panoramic, depicting scenes in New York City and Buffalo, N.Y., and small towns.
Found In
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- Creators:
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Mazur, Michael, 1935-2009
- Dates:
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circa 1936-2016
- Size:
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22.2 Linear feet
22.83 Gigabytes
- Collection ID:
- AAA.mazumich
- Repository:
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Archives of American Art
The papers of artist Michael Mazur measure 22.2 linear feet and 22.83 gigabytes, and date from circa 1936 to 2016, documenting a studio and exhibition practice in addition to teaching and activism activities in both paper and digital formats in the following series: biographical materials, correspondence, studio records, gallery records, project records, affiliations, exhibition records, writings, printed materials, photographic materials, and artwork.