The papers of installation artist Moses Ros measure 2.3 linear feet and date from 1978 to 2012. The collection is comprised of files for several New York City Housing Authority commissions, as well as architecture, sculpture, and mural projects; professional files for Dominican York Proyecto GRAFICA, MUD/BONE Print Studio, and a New York American Institute of Architects residency; printed materials; and artwork that includes doodles, sketches, mock ups, and a paper and feather mask.

The papers of artist Michele Zackheim measure 2.3 linear feet and date from 1976 to 2012, bulk 1980-2000. The collection documents her career in the visual arts through correspondence, interviews, writings, project files, teaching files, printed material, and photographic material.

The papers of artist Loren Madsen measure 5.2 linear feet and date from 1969 to 2019. The collection primarily consists of project and exhibition files, and also includes personal business records, correspondence, writings, photographic material, and artwork.

The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.

The papers of New York based interdisciplinary artist Nancy Davidson measure 5 linear feet and date from 1970s-2016. The collection includes biographical material, correspondence, illustrated notebooks and notes, gallery and exhibition files, printed material, photographic material, and two sketchbooks. Nearly one linear foot of correspondence arranged chronologically is both personal and professional. Notable correspondents include Michiko Itatani, Joyce Kozloff, Eunice Lipton, Sabra Moore, and Nancy Spero. Galleries and museums include Marianne Denson Gallery; Museum of Contemporary, Chicago; N.A.M.E. Gallery, of which Davidson was an artist member; the Walker Art Center; and White Columns. Over thirty notebooks capture Davidson's work process, evolution of ideas, related sketches in pen and pencil, reflections from readings and lectures, and notes from critiques with fellow artists Rosemary Mayer, Joyce Kozloff, Ray Yoshida, and Richard Halstead. A large sequence of printed material includes announcements, books, bulletins, newsletters, calendars, clippings, exhibition catalogs, periodicals, press releases, programs, and a few other items of printed matter relating to Davidson's professional career.

This accession consists of records documenting the design and installation of exhibitions. Exhibitions documented in this accession include revisions to "Monsters, Myths and Minerals;" "Timur and the Princely Vision: Persian Art and Culture in the Fifteenth Century;" "India Along the Ganges: Photographs by Raghubir Singh;" "Yokohama: Prin...

Documentation; including correspondence, prints, slides and brochures; produced and collected by the National Museum of African Art to support exhibits sponsored by the museum from 1979 to the present.

An exhibition of sculpture and installation art featuring eight women artists, the show sought to decode the social imagery of black women's representation and experiences. Curated by Deborah Willis, the exhibit was organized by the Anacostia Museum and Center for African American History and Culture and held at the Smithsonian Arts and Industries Building, South Gallery from April 13, 1998 to September 30, 1998. Artist featured included: Denise Ward Brown, Beverly Buchanan, Carole Byard, Rashida Ferndinand, Kira Lynn Harris, Valerie Maynard, and Renée Stout, and Eve Sandler.

Memorabilia from the International Exhibition of Modern Art in 1913, commonly known as the Armory Show, measures 0.02 linear feet and includes one button, two invitations, and 54 postcards primarily from the New York installation and also a few from the installations in Boston, Massachusetts and Chicago, Illinois.

This accession consists of materials documenting the planning, development, installation, fundraising, and publicity of the exhibitions DIRECTIONS: Ernesto Neto and DIRECTIONS: Cathy de Monchaux as well as preparations to receive, install, fund, and promote the traveling exhibition Wolfgang Laib: A Retrospective, developed by the American...