85 records — Page 1 of 9
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Creators:
Parish, Henry, Mrs., II
Parish-Hadley Associates
Hadley, Albert
Dates:
[196-]-1994
Size:
11 Boxes (13 albums)
Collection ID:
SIL-CH.2000-3-1
Repository:
Smithsonian Libraries

The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.

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Creators:
National Museum of American History (U.S.). Archives Center
Ravnitzky, Michael
Dates:
circa 1900-present
Size:
29 Cubic feet (55 boxes)
Collection ID:
NMAH.AC.0404
Repository:
Archives Center, National Museum of American History

This collection contains a variety of business ephemera similar to that found in the Warshaw Collection of Business Americana. The material in the Business Americana Collection is newly acquired ephemera received from many sources including curatorial units, the public, and Smithsonian Institution staff.

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Creators:
Scheeline, Lanette, 1910-
Dates:
1945-1970
Size:
7 Boxes
Collection ID:
SIL-CH.1998-29-1
Repository:
Smithsonian Libraries

This collection documents Scheeline's work as a textile designer from 1945-1970.The archive material consists of brochures, photographs, sketches, correspondence, scrapbooks, client records, and other related items that document Ms. Scheeline's career from the 1930s to the 1980s (briefly covers 1990s). A majority of the items deal specifically with the projects for textiles and wallcoverings, research on forms in nature, and notes on her travels.

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Creators:
Renwick Gallery
Dates:
1957, 1961-1989, 1997-2003
Size:
25 cu. ft. (25 record storage boxes)
Collection ID:
Accession 10-128
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with m...

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Creators:
Robsjohn-Gibbings, Terence Harold, b. 1905
Parzinger, Tommi, 1903-1981.
Dates:
1935-1981
Size:
5 Cubic feet
Collection ID:
SIL-CH.1998-19-1
Repository:
Smithsonian Libraries

This collection does not represent the entire Parzinger archive. The German firm, K.P.M., has the drawings Parzinger produced for the line of ceramics and a part of the documentation for the work in the United States was damaged or lost in a 1951 flood in the Madison Avenue office. However, enough of the archive remains to document a significant part of the designer's work from the 1940s-1970s. Included in the collection are brochures, ad sheets, magazine pages, chart-like sheets of furniture designs, drawings or blueprints, clippings, photographs, press articles, and pages of notes. The collection does not include business papers which were deliberately excluded for space reasons.

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Creators:
Orth, Edward J.
Exhibition Collectors Historical Organization
Dates:
1835-2000, undated
1835-2000, undated
Size:
130 Cubic feet (417 boxes, 23 map-folders)
130 Cubic feet (417 boxes, 23 map-folders)
Collection ID:
NMAH.AC.0560
Repository:
Archives Center, National Museum of American History

Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
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Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Short, Bobby
Dates:
1908-2006
Size:
13.6 Cubic feet (35 boxes)
Collection ID:
NMAH.AC.0946
Repository:
Archives Center, National Museum of American History

Bobby Short was a singer and pianist whose career spanned seven decades. An interpreter of American popular music, he became a performer in childhood and remained active until his death. He is best known for his more than 35 years as performer-in-residence at the Hotel Carlyle's Café Carlyle in New York City. This collection contains personal papers and photographs as well as business papers, musical materials and photographs relating to Mr. Short's career as a performing artist.

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Creators:
United Shoe Machinery Corporation
Dates:
1898 - 1987
Size:
145 Cubic feet (296 boxes)
Collection ID:
NMAH.AC.0277
Repository:
Archives Center, National Museum of American History

The collection documents the activities of the United Shoe Machinery Corporation of Beverly, Massachusetts, manufacturers of shoe machinery equipment. The collection consists of engineering records, legal records, research and development records, employee/personnel records, correspondence, company catalogs, product literature, advertising materials, photographs, and moving images.

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Creators:
Mair, LaVeda
Mair, Francis M., 1916-1991 (commercial artist)
Dates:
1935-1994
Size:
56 Cubic feet (104 Boxes, 40 map-folders)
Collection ID:
NMAH.AC.0548
Repository:
Archives Center, National Museum of American History

Client files, administrative files, artwork, and collected food labels from graphic and industrial designer Francis Mair. Mair specialized in beverage labels and packaging during his many years with Landor Associates in San Francisco. Late in his career, he directed Landor's Museum of Packaging History. His prolific freelance career included designs for furniture, decorative arts, letterhead, and corporate images. His personal artwork included alphabets, typefaces, and sketchbooks. Much of his personal artwork is humorous or erotic.

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85 records — Page 1 of 9