Louis Pomerantz papers
The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.
This accession consists of the records of Scott Odell, head conservator at the National Museum of American History (NMAH) from 1978-1993 and previous to that conservator in the Division of Musical History, previously the Division of Musical Instruments, from 1963-1978. In 1963 Odell planned and established the first conservation lab for historical musical …
W.G. Constable papers
The papers of art historian and museum curator W.G. (William George) Constable measure 25.7 linear feet and date from 1905 to 1981, with the bulk of the material from 1920 to 1976. The papers include biographical material; professional and personal correspondence; extensive lectures, writings, and notes; exhibition and book research files; printed materials; and photographs, glass plate negatives, and slides. There is substantive correspondence related to Constable's participation in the American Defense Harvard Group and about the formation of the Roberts Commission, including correspondence with Ralph Perry, Hugh Hencken, Paul Sachs and George L. Stout. There are numerous official reports prepared by Constable after World War II for the U. S. Office of Military Government for Germany.
The Washington Conservation Guild (WGC) is a nonprofit organization of conservation professionals, based in Washington, D.C. While serving primarily as a forum for exchange of information among its members, the Guild also seeks to help non-conservators learn more about caring for their own art and artifacts. This collection includes newsletters …
This accession consists of records that document the history and work of the Museum Conservation Institute (MCI). MCI serves as the center for specialized technical collection research and conservation for all Smithsonian museums and collections. Through knowledge of materials and through the use of state-of-the-art instrumentation and scientific techniques MCI …
This accession consists of records that document the history and activities of Heritage Preservation from its very beginnings as the National Conservation Advisory Council and the National Institute for the Conservation of Cultural Property. Among those areas documented include board meetings, workshops, the SOS! program, conservation awards, and annual meetings …
This accession consists of records documenting the administration and activities of the Washington Conservation Guild, a nonprofit organization of conservation professionals dedicated to preserving art and historic materials. Materials include correspondence, newsletters, meeting announcements, photographs, grant records, membership directories, handbooks, meeting materials, financial records, and related materials. Some materials are …
Jack Brogan papers
The papers of technical artist, fabricator, and conservator Jack Brogan measure 4.25 linear feet and date from 1968 to 2016 with the bulk of the collection dating from 1971 to 2009. The collection documents Brogan's collaboration with many artists associated with Southern California Light and Space art to help realize their ideas. Papers include biographical material, project files, printed material, photographic material, and artwork. There is a 2.0 linear foot unprocessed addition to this collection donated in 2020 that includes files related to projects with Robert Irwin, Tony DeLap, Robert Therrien, Philip Aziz, Peter Alexander, Roy Lichtenstein, Lita Albuquerque and others. Some files relate to repairs to work by Lynda Benglis, Larry Bell, John McCracken, Hal Metzer. Several files relate to projects Brogan worked on for churches and synagogues, including First Baptiste Church, Pomona, California. Many contain multiple original drawings, sketches, and notes by artists. Material dates from 1973-2014.
These records document the Conservation Analytical Laboratory's (CAL) work with Smithsonian Institution curators and collections during the tenures of John H. Olin, Robert M. Organ, Jacqueline S. Olin, and Eleanor McMillan. They also document the Laboratory's extensive training programs and its wide contacts with other museums, both in the United …
Carnegie Institute, Museum of Art records
The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.