A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Ivory forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.
Papers documenting Moore's work as an ivory trader employed by Arnold, Cheney and Co. Includes copies of his diary entries while working as an ivory trader, financial documents, price lists, his writings on the subject of ivory, articles, a map, and photographs.
The collection documents the ivory importing firm of Heinrich Adolf Meyer, of Hamburg, Germany.
Documents saved by the winner of an essay contest, including: two congratulatory telegrams, two letters, three photographs of the winner with the car she won, an article, and an owner identification card from the car dealer.
Records documenting Pratt, Read and Company; its early competitor and later partner, Comstock, Cheney and Company; and a number of predecessor, subsidiary and related companies. Other topics include the late 19th century African ivory trade and Pratt, Read's production of troop-carrying gliders during World War II.
These papers of Philip L. Ravenhill primarily document the period during which he was a graduate student at the New School for Social Research and contain his field research on the Wan and neighboring groups in the Ivory Coast. There are also some some research files of Judith Timyan, whom Ravenhill was married to at the time.
The collection consists of one postcard and 67 photographs documenting the installation for and art objects in the exhibition "African Art from Nigeria and the Ivory Coast" (April 6-25, 1983), held at the Sarah Lawrence College Art Galley, and curated by Barbara Jarocki. The postcard is an invitation to the opening reception.
Collection established to consolidate miscellaneous stereographs transferred from other Smithsonian units and other sources. Currently the group contains 25 cards.
Much of this collection depicts architecture and peoples in such varying places as Mali, Niger, the Ivory Coast, and Burkina Faso. There are images of peoples including the Dogon in Timbuktu, Gao, San, and Fulani peoples.