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- Creators:
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Rothko, Mark, 1903-1970
- Dates:
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[undated] and 1943
- Size:
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11 Items ((on partial microfilm reel))
- Collection ID:
- AAA.rothmark
- Repository:
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Archives of American Art
Two letters, 1943, to Edward Alden Jewell, art editor of the New York Times, written in response to a published editorial in which Rothko attempts to explain modern art; handwritten notes and notebook with entries about art and the creative process; and 8 undated sketches. Microfilm title: Carson family papers.
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- Creators:
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Constantine, Mildred
Phillips, Harlan B. (Harlan Buddington), 1920-
New Deal and the Arts Oral History Project
- Dates:
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1965 October 15
- Size:
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59 Pages (Transcript)
- Collection ID:
- AAA.consta65
- Repository:
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Archives of American Art
An interview of Mildred Constantine conducted 1965 October 15, by Harlan Phillips, for the Archives of American Art. Constantine speaks of the Federal Art Project in New York and its work; working for Audrey McMahon; the influx of foreign artists in the 1930s; the changes brought about in the art world because of the Federal Art Project. She recall...
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- Creators:
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Gordin, Sidney, 1918-1996
Seckler, Dorothy Gees, 1910-1994
- Dates:
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1965 Sept. 2
- Size:
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23 Pages (Transcript)
- Collection ID:
- AAA.gordin65
- Repository:
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Archives of American Art
An interview of Sidney Gordin conducted 1965 Sept. 2, by Dorothy Seckler, for the Archives of American Art.
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- Creators:
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Smith, Suzanne Mullett
- Dates:
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1923-1989
- Size:
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3 Linear feet ((partially microfilmed on 3 reels))
- Collection ID:
- AAA.smitsuza
- Repository:
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Archives of American Art
Primarily research material compiled by Smith for her MA Thesis on Arthur Dove (1944, American University), and for the American Art Research Council, and papers relating to Smith's personal life and career as a painter.
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- Creators:
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Gray, Cleve
- Dates:
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1933-2005
- Size:
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9.2 Linear feet
- Collection ID:
- AAA.grayclev
- Repository:
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Archives of American Art
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.
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- Creators:
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McCausland, Elizabeth, 1899-1965
- Dates:
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1838-1995
bulk 1920-1960
- Size:
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45 Linear feet
- Collection ID:
- AAA.mccaeliz
- Repository:
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Archives of American Art
The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.
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- Creators:
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Museum of the American Indian, Heye Foundation
Johnson, Frederick, 1904-1994
Dockstader, Frederick J.
Churchill, Frank C. (Frank Carroll), 1850-1912
More … - Dates:
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1890-1998
- Size:
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400 Linear feet
- Collection ID:
- NMAI.AC.001
- Repository:
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National Museum of the American Indian
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
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- Creators:
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Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1928-1994
- Size:
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320 Boxes
- Collection ID:
- NMAH.AC.0618.S04.05
- Repository:
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Archives Center, National Museum of American History
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
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- Creators:
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Downtown Gallery
- Dates:
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1824-1974
bulk 1926-1969
- Size:
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109.56 Linear feet
- Collection ID:
- AAA.downgall
- Repository:
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Archives of American Art
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
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- Creators:
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Kuhn, Walt, 1877-1949
- Dates:
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1859-1984
bulk 1900-1949
- Size:
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31 Linear feet
- Collection ID:
- AAA.kuhnwalt
- Repository:
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Archives of American Art
The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.