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- Creators:
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Fisher, Ethel, 1923-
- Dates:
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1930-2017
- Size:
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12.5 Linear feet
0.558 Gigabytes
- Collection ID:
- AAA.fishethe
- Repository:
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Archives of American Art
The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.
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- Dates:
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1961-2009
- Size:
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21 cu. ft. (21 record storage boxes)
- Collection ID:
- Accession 09-255
- Repository:
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Smithsonian Institution Archives
This accession consists of records documenting the professional interactions of James G. Mead, Curator, 1972 - , with other museum staff, scientists, curators, professional societies, and the public. Mead specializes in marine mammal paleontology, particularly whales. Materials include incoming and outgoing correspondence as well as associated...
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- Creators:
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Cooper-Hewitt Museum. Office of the Registrar
- Dates:
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1958, 1975-1987
- Size:
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35 cu. ft. (35 record storage boxes)
- Collection ID:
- Record Unit 541
- Repository:
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Smithsonian Institution Archives
These records pertain to the exhibitions of the Cooper-Hewitt Museum, beginning with the first held under the auspices of the Smithsonian, Immovable Objects/Lower Manhattan from Battery Park to the Brooklyn Bridge, which opened in June 1975, and ending with Louis Sullivan: The Function of Ornament, which closed in September 1987. In addit...
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S. Ann Dunham papers
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- Creators:
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Dunham, S. Ann (Stanley Ann)
- Dates:
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1965-2013
- Size:
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18 Linear feet ((44 boxes))
- Collection ID:
- NAA.2011-04
- Repository:
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National Anthropological Archives
The S. Ann Dunham papers, 1965-2013, primarily document her work as an economic anthropologist in Indonesia. The papers include her dissertation research on blacksmithing and materials relating to her professional work as a consultant for organizations like the Ford Foundation and Bank Raykat Indonesia (BRI). Her work included projects on microcredit, women in development, and rural industries. Materials consist of field notebooks, correspondence, reports, research proposals, case studies, surveys, lectures, photographs, research files, and floppy disks.
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- Creators:
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Smithsonian Institution. Office of Fellowships and Internships
- Dates:
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1964-2012
- Size:
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64 cu. ft. (64 record storage boxes)
- Collection ID:
- Accession 14-099
- Repository:
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Smithsonian Institution Archives
This accession consists of program records documenting accepted applicants for fellowships, research positions, and internships at the Smithsonian Institution, with earlier records dating back to when the Office of Fellowships and Internships was known as the Office of Fellowships, the Office of Research and Training Services, the Office ...
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 30-July 11, 2006
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2006
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Cunningham, Imogen, 1883-1976
- Dates:
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1903-1991
- Size:
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5.9 Linear feet
- Collection ID:
- AAA.cunnimog
- Repository:
-
Archives of American Art
The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.
