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- Creators:
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Jones, Wendell, 1899-1956
- Dates:
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1933-1969
- Size:
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0.5 Linear feet ((200 items))
- Collection ID:
- AAA.jonewend
- Repository:
-
Archives of American Art
Letters, undated and 1937-1961, mostly dealing with Jones' mural in the Rome, N.Y. Post Office, done for the Section of Fine Arts; correspondence with Edward Bruce, Forbes Watson, Juliana Force, Edward Rowan, and Eugene Speicher; photographs of Jones, his family, his paintings, and of other Woodstock area artists including Philip Guston, Yasuo Kuni...
Found In
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- Creators:
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Nochlin, Linda
McElhinney, James Lancel, 1952-
Elizabeth Murray Oral History of Women in the Visual Arts Project
- Dates:
-
2010 Jun. 9-30
- Size:
-
3 Items (Sound recording, master: 3 memory cards (3 hr., 51 min.), secure digital, 1.25 in.)
86 Pages (Transcript)
- Collection ID:
- AAA.nochli10
- Repository:
-
Archives of American Art
An interview of Linda Nochlin conducted 2010 June 9-30, by James McElhinney, for the Archives of American Art's Oral History of Women in the Visual Arts project at Nochlin's home in New York, N.Y.
Found In
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- Creators:
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Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
More … - Dates:
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1899-1964
- Size:
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44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs.
)
- Collection ID:
- AAG.SRS
- Repository:
-
Archives of American Gardens
The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.
Found In
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- Creators:
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Hitchcock, Henry-Russell, 1903-1987
- Dates:
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1919-1987
- Size:
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24.8 Linear feet
- Collection ID:
- AAA.hitchenp
- Repository:
-
Archives of American Art
The papers of architectural historian, author, critic, teacher, and museum director, Henry-Russell Hitchcock, date from 1919-1987 and measure 24.8 linear feet. Almost all of the collection is comprised of Hitchcock's correspondence files relating to academic research, teaching, curatorial interests, and professional associations. Letters are from prominent architectural historians, architects, artists, preservationists, museum directors and curators, and family and friends. Also found are two feet of writings by Hitchcock and others, scattered biographical information, printed material, and photographs of Hitchcock and architecture.
Found In
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- Creators:
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Strong, William Duncan, 1899-1962
- Dates:
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1902-1965
bulk 1927-1955
- Size:
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64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
- Collection ID:
- NAA.1974-28
- Repository:
-
National Anthropological Archives
William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.
Found In
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- Creators:
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National Arts Club (New York, N.Y.)
- Dates:
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1898-1960
- Size:
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32.1 Linear feet
- Collection ID:
- AAA.natiartc
- Repository:
-
Archives of American Art
The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities
Found In
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- Dates:
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1884, 1888, 1899-1965
- Size:
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13.84 cu. ft. (8 record storage boxes) (1 half document box) (13 12x17 boxes)
- Collection ID:
- Record Unit 229
- Repository:
-
Smithsonian Institution Archives
These papers document the history of the agrostology section of the Bureau of Plant Industry, United States Department of Agriculture (1901-1939), and the Section of Grasses, United States National Herbarium, United States National Museum (1912-1963) at the time Albert Spear Hitchcock and Mary Agnes Chase worked for the USDA and the USNH, ...
Found In
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- Creators:
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Kraushaar Galleries
- Dates:
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1877-2006
- Size:
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100.3 Linear feet
0.181 Gigabytes
- Collection ID:
- AAA.kraugall
- Repository:
-
Archives of American Art
The records of New York City Kraushaar Galleries measure 100.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.
Found In
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- Creators:
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Clark, George Howard, 1881-1956
- Dates:
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circa 1880-1950
- Size:
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220 Cubic feet (534 boxes, 25 map-folders)
- Collection ID:
- NMAH.AC.0055
- Repository:
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Archives Center, National Museum of American History
The collection forms a documentary record of over half a century of the history of radio, with the greatest emphasis on the period 1900-1935. The collection includes materials that span the entire history of the growth of the radio industry. It is useful for those historians and other researchers interested in technological development, economic history, and the impact of applications of technology on American life.
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- Dates:
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1839-2001
- Size:
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3 cu. ft. (3 record storage boxes)
- Collection ID:
- Accession 16-342
- Repository:
-
Smithsonian Institution Archives
This accession consists of records primarily created by Carl W. Mitman during his tenure as Curator of the Division of Mechanical Technology, 1921-1932, and Head Curator of the Department of Arts and Industries, 1932-1948, United States National Museum. These files create a biographical sketch of a multitude of engineers, inventors, and indust...