Four 19th century prints: 1 unmounted albumen print of the Great Pyramid entrance by Maison Bonfils. 28 x 21.5 cm.; 1 albumen print of Egyptian fruit sellers by the Zangaki Brothers, mounted on paper. 27 x 21 cm.; 1 unmounted albumen print of a Damascus fountain by Tancrède Dumas. 28.5 x 22.9 cm.; 1 albumen print of Karnak by Felix Bonfils, mounted...

Photographs and film taken by Edwin Converse Higbee during his trip from Capetown to Cairo in 1929 aboard the S.S. Corinthia. The trip was sponsored by the Raymond & Whitcomb Co., a travel service based in Boston, Massachusetts, and promoted as a Round Africa Cruise. Images reflect a variety of people, countryside and architecture.

The collection measures 0.65 cubic feet, dates from 1932 - circa 1970s, and is primarily comprised of photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. There are also some publications and contact sheets in the collection.

The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

Collection consists of films by geologist William O. Field of the Nile River, Kashmir, the U.S.S.R., Moscow, and Samoa. The collection also includes 8 albums of still photographs and 8 albums of negatives of Africa, photographs of British Guiana, folders with paper materials relating to the Africa expedition/film, miscellaneous photographs and oth...

These papers document the professional career, and to a lesser extent, the personal affairs of Harry Hoogstraal. Most of the papers concern his work after he joined NAMRU-3 in 1949. There appears to be little documentation of his participation on scientific expeditions during the 1930s and 1940s. The papers primarily consist of a voluminous ...

This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

This collection consists of grant audits, progress reports, correspondence and travel files. See Record Unit 180 for similar materials.

Collection consists of lantern slides and stereographs produced by several companies: Keystone View Company, Better America Lecture Service, Incorporated, American Press Association, J. Stanley-Brown, William H. Rau, and J. F. Maertz Department Store. The lantern slides were primarily intended to be used for educational presentations about the United States, other countries, history, and society. Many of the slides and stereographs are accompanied by descriptive text and in some instances by small cards--one card for each slide--and in other instances directly on the back of a stereoview. The majority of images were taken from 1900 to 1930.