Adam Peiperl papers
Letters, photographs, loan agreements, printed material, and miscellany relating to Adam Peiperl's career as a kinetic artist.
Len Lye papers
Lye's typed description of his kinetic work "Sun, Land, and Sea."
NCFA records relating to Synchroma machine
Records relating to a possible demonstration and exhibition of a Synchroma machine at the National Collection of Fine Arts. Correspondence is between Adelyn Breeskin and Jan Mulhert of the museum's 20th century department and inventors Stanley Elliott and Honore Guilbeau. Photographs, descriptive statements, and clippings are also included.
Parish Gallery records
The records of Parish Gallery, located in Washington, D.C., measure 6.4 linear feet and 11.73 gigabytes and date from 1940 to 2013, with the bulk of the collection dating from 1991 to 2013. This collection consists primarily of exhibition files, but also includes administrative files, as well as some biographical material related to Norman Parish's career before opening the gallery.
Here At The Smithsonian was a series of short features for television created and produced by the staff of the Smithsonian's Office of Telecommunications between the years 1982 and 1989. The series was designed for public dissemination of information about Smithsonian exhibition and research activities. Each year had a volume number [1982 (Volume …
Argus Gallery records
The Argus Gallery records measure 8.6 linear feet and date from 1927 to 1990, with the bulk of the records dating from 1960 to 1974. The collection sheds light on the gallery's operations through administrative files, artist files, exhibition files, printed material, and photographs.
Washington Gallery of Modern Art records
The records of the Washington Gallery of Modern Art measure 15.7 linear feet and 0.523 GB and date from 1959 to 1992. The records document the history of the gallery through Board of Directors meeting minutes, various committee meetings minutes and agendas, bylaws, and other trustee records; correspondence and other materials associated with each of the four gallery directors over the course of the gallery's existence; general correspondence; exhibition files, proposed exhibitions, collection files, and other curatorial and registrar records; financial records; development and membership records; tour guide information, gift shop finances and orders, and other museum services; and clippings, catalogs, and other printed and digital material.
L. Brent Kington papers
The papers of influential blacksmith, sculptor, metalsmith and educator, L. Brent Kington, measure 9 linear feet and date from 1944 to 2012. The collection provides a valuable overview of Kington's career through correspondence relating primarily to exhibitions, subject files, drawings, photographs of Kington and his artwork, printed matter and audiovisual material. An additional 5.2 linear feet of papers was accessioned from 2007 to 2012 and remains unprocessed.
Loren Madsen papers
The papers of artist Loren Madsen measure 5.2 linear feet and 45.82 GB and date from 1969 to 2019. The collection primarily consists of project and exhibition files, and also includes personal business records, correspondence, writings, photographic material, and artwork. There are materials in physical and digital format.
Frances Wolfson Art Gallery records
The records of the Frances Wolfson Art Gallery measure 5 linear feet and date from 1973 to 1994. The Gallery was established in 1976 on the Mitchell Wolfson New World Center Campus of the Miami-Dade Community College. It focused on the art of the local Latino community in addition to serving the needs of the College's arts and humanities students. Materials document exhibitions held at the Gallery and the general administration of the Gallery through correspondence, business records and printed material.