29 records — Page 1 of 3
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Creators:
Alonge, Solomon Osagie, Chief, 1911-1994
Dates:
1926-1989
Size:
100 photographic prints (black and white, hand-colored.)
4 photographic albums
1,800 negatives (photographic) (120 mm.)
150 negatives (photographic) (glass plate)
Collection ID:
EEPA.2009-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of approximately 1,950 glass plate and large format film negatives,100 hand-tinted and black-and-white prints and four photographic albums containing prints of various sizes, taken by Chief Solomon Osagie Alonge, the royal photographer to the Oba of Benin, Akenzua II (1933-1978). These images span six decades (1926 - 1989) and represent a dynamic, continuous record of the Benin Royal Court in Nigeria. Alonge documented the pageantry, ritual and regalia of the Obas, their wives and retainers for over a half-century, including the coronation of the King and the Iyoba, or queen mother. The collection also documents historic visits to Benin by Queen Elizabeth and Prince Philip (1956), Princess Alexandra (1960), foreign dignitaries, traditional rulers, political leaders and celebrities. The collection preserves an important historical record of Benin art and culture during the periods of British colonial rule and Nigerian independence in the 20th century. The rarity and historical value of the collection are enhanced by Alonge's privileged access to the Palace as a chief in the Iwebo Palace Society, a position which presents a unique insider's view of Benin royalty. The quality of the collection is testament to Alonge's technological skills in photography and his professionalism in keeping the collection ordered and well-preserved despite the heat, humidity and tropical climate of Nigeria.

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Creators:
Brinkworth, William Ian
Dates:
1901-1991
Size:
3600 negatives (photographic) (0801-3332: B5-6; 3333-4422: B5-7, black and white ;, 35mm.)
637 Photographic prints (black and white.)
179 Transparencies (color ;, 35mm.)
8 Volumes (Books and magazines)
65 manuscripts (document genre)
7 sound recordings
Collection ID:
EEPA.2008-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

William Ian Brinkworth's collection, dated from 1901 to 1991, includes an extensive number of black and white photographs, negatives, color transparencies, books, audio tapes, manuscripts, and research materials. The manuscripts include Brinkworth's book drafts, film treatments, correspondence, historical documents, legal documents, journals and magazines in which his work was published.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1982-1985
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 02-196
Repository:
Smithsonian Institution Archives

This accession consists of film, videotape and audio elements documenting "Mirror of Kings: Tales from Kalila Wa Dimna," a film that premiered in 1982 in conjunction with "Renaissance of Islam: Art of the Mamluks" an exhibition at the Freer Gallery of Art and Arthur M. Sackler Gallery. The Kalila WA Dimna was a popular book in the ancient ...

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Creators:
Lurie, Nancy Oestreich
Dates:
n.d
Size:
6 Pages
Collection ID:
NAA.MS7561
Repository:
National Anthropological Archives

Included are lyrics "The King-Pin of Anthropology" for the tune of Gilbert and Sullivan's "I'm the Ruler of the Queen's Navee"; The Northern Athabascan Bastards", by Lurie for the tune of the "Wabash Cannonball"; "The Great Athabascan Migration for the tune of the "Wabash Cannonball"; and "The Ethnolinguists Lament: by Helm and Lurie to the tune of...

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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 negatives (photographic) (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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Creators:
Smithsonian Institution. Anacostia Community Museum
Hutchinson, Louise Daniel
Dates:
1979-02 - 1980-02
Size:
9.15 Linear feet (17 boxes)
Collection ID:
ACMA.03-031
Repository:
Anacostia Community Museum Archives

An exhibition on the history of the transatlantic slave trade, organized by the Anacostia Neighborhood and held there from February 1979-February 1980. Curated by Louise Daniel Hutchinson. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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Creators:
Smithsonian Associates
Dates:
1997-2006
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 07-190
Repository:
Smithsonian Institution Archives

This accession includes master cassette audiotapes of educational programs and meetings presented by the various program offices within The Smithsonian Associates (TSA).

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Creators:
Asleep at the Wheel
Van Kleek, Richard
Take 6
Lovett, Lyle
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Dates:
1986-1991
Size:
2.5 Cubic feet (7 boxes, 1/2" VHS)
Collection ID:
NMAH.AC.0487
Repository:
Archives Center, National Museum of American History

Collection consists of study videocassettes of the Lonesome Pine Specials, a television series that documents American music traditions and performers.

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Creators:
Custom Craft
Rice, Moses P.
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
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Dates:
1902-1995
Size:
18 Boxes
Collection ID:
NMAH.AC.0618.S12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 12 consists of paper documents, published materials, and materials from exhibitions. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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29 records — Page 1 of 3