4 records — Page 1 of 1
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Creators:
Krebs, Rockne, 1938-2011
Forgey, Benjamin, art critic
Dates:
1990 Jan. 27-Feb. 3
Size:
164 Pages (Transcript)
Collection ID:
AAA.krebs90
Repository:
Archives of American Art

An interview of Rockne Krebs conducted 1990 Jan. 27-Feb.3, by Benjamin Forgey, for the Archives of American Art.

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Creators:
Gilliam, Sam, 1933-
Forgey, Benjamin, art critic
Dates:
1989 Nov. 4-11
Size:
4 Items (Sound recording, sound cassettes)
54 Pages (Transcript)
Collection ID:
AAA.gillia89
Repository:
Archives of American Art

An interview of Sam Gilliam conducted 1989 Nov. 4-11, by Ben Forgey for the Archives of American Art. Gilliam speaks of his decision to come to Washington, D.C., from Louisville, Ky.; his shift from figurative painting to abstract painting; meeting Washington painters Robert Gates and Tom Downing; the "stature" of Tom Downing in the Washington art ...

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Creators:
Seitz, William Chapin
Dates:
circa 1930-1995
Size:
32.5 Linear feet
Collection ID:
AAA.seitwill
Repository:
Archives of American Art

The papers of educator, painter, and art historian William Chapin Seitz measure 32.5 linear feet and date from circa 1930-1995. The collection includes biographical information, correspondence, notebooks, subject and people files, thesis research files, interviews and lecture recordings, teaching files, personal business records, scattered printed materials, photographs, and artwork. The bulk of the papers focus on Seitz's research and teaching career.

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Creators:
Gilliam, Sam
Dates:
1957-1989
Size:
7.9 Linear feet
Collection ID:
AAA.gillsam
Repository:
Archives of American Art

The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life from his time as a student through his teaching, professorial, and artistic career. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C.

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4 records — Page 1 of 1