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- Creators:
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Cox, Allyn, 1896-1982
- Dates:
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1856-1982
- Size:
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11 Linear feet
- Collection ID:
- AAA.coxally
- Repository:
-
Archives of American Art
The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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circa 1831-1937
- Size:
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2.76 Cubic feet (consisting of 6 boxes, 1 folder, 2 oversize folders, plus digital images of some collection material. )
- Collection ID:
- NMAH.AC.0060.S01.01.Flour
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Flour forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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1856-1941
- Size:
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0.94 Cubic feet (consisting of 2 boxes, 1 folder, plus digital images of some collection material. )
- Collection ID:
- NMAH.AC.0060.S01.01.Fences
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Fences forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Dates:
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1934-1966
- Size:
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10 cu. ft. (20 document boxes)
- Collection ID:
- Record Unit 7097
- Repository:
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Smithsonian Institution Archives
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 26-July 7, 2013
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2013
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Society of Vertebrate Paleontology
- Dates:
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1910-2011
- Size:
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11 cu. ft. (11 record storage boxes)
- Collection ID:
- Accession 12-107
- Repository:
-
Smithsonian Institution Archives
This accession consists of the papers of Donald Baird (1926-2011), paleontologist, anthropologist, geologist, and seventeenth and eighteenth century firearms authority. He became a member of the Society of Vertebrate Paleontology in 1949 (Vice President, 1983-1984; President, 1984-1985; Honorary Life Member, 1991; J. T. Gregory Award, 1996). ...
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- Creators:
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National Museum of American History. Division of Engineering and Industry
- Dates:
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circa 1948-1988
- Size:
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18.81 cu. ft. (18 record storage boxes) (1 12x17 box) (1 film box)
- Collection ID:
- Record Unit 397
- Repository:
-
Smithsonian Institution Archives
These records consist of correspondence and memoranda pertaining to horology, exhibit proposals, manufacturers of engineering equipment, models, collections management, minutes of meetings, acquisitions, and installation of exhibits. Also included are blueprints for the Hall of Heavy Machinery; exhibit scripts from Power and the Early Ste...
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- Creators:
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Downtown Gallery
- Dates:
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1824-1974
bulk 1926-1969
- Size:
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109.56 Linear feet
- Collection ID:
- AAA.downgall
- Repository:
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Archives of American Art
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
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- Creators:
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Wormington, Hannah Marie
- Dates:
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1930-1993
- Size:
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25.8 Linear feet (58 boxes, 1 oversized, 1 lantern slide tray)
- Collection ID:
- NAA.1995-19
- Repository:
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National Anthropological Archives
The Hannah Marie Wormington papers, 1930-1993, document her professional career as an archeologist through correspondence, film, grant proposals, lantern slides, lecture notes, manuscripts, newspaper clippings, photographs, presentations, publications, reports, slides, and sound recordings, including her field work at the Folsom Site.
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- Creators:
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Frank K. M. Rehn Galleries
- Dates:
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1858-1969
bulk 1919-1968
- Size:
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21.8 Linear feet
- Collection ID:
- AAA.franrehg
- Repository:
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Archives of American Art
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.