137 records — Page 1 of 14
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Creators:
Council of American Overseas Research Centers
Dates:
1977-2008
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 13-074
Repository:
Smithsonian Institution Archives

This accession consists of records that document the activities and programs of the Council of American Overseas Research Centers (CAORC) and its relationship with funding providers and various overseas research centers. These records were created and maintained by executive director, Mary Ellen Lane, and deputy director, Heidi Massaro. M...

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Creators:
Council of American Overseas Research Centers
Dates:
1983-1993
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 94-081
Repository:
Smithsonian Institution Archives

These records include correspondence and memoranda mostly between the Executive Director of the Council of American Overseas Research Centers (CAORC), Mary Ellen Lane, and various heads of CAORC's overseas Centers. Additional correspondence is from different universities in and outside the United States, from individual scholars, from m...

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Creators:
Thayer, Abbott Handerson, 1849-1921
Dates:
1851-1999
bulk 1881-1950
Size:
5.12 Linear feet
Collection ID:
AAA.thayabbo
Repository:
Archives of American Art

The papers of painter and naturalist, Abbott Handerson Thayer, and the Thayer family date from 1851 to 1999, with the bulk of the material dating from 1881 to 1950, and measure 5.12 linear feet. Thayer's painting career, interest in concealing coloration (camouflage) in nature, and relationships with artists, patrons, family, and friends are documented through correspondence, writings, scattered legal and financial records, printed materials, and a scrapbook. Photographs are of Thayer, his family, studio, and friends, including artists. The collection also contains family papers created by his second wife, Emma Beach Thayer, his son Gerald, his daughters Mary and Gladys, and Gladys' husband David Reasoner, who managed Thayer's estate after his death.

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Creators:
Council of American Overseas Research Centers
Dates:
1993-1994
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 99-130
Repository:
Smithsonian Institution Archives

This accession consists of records that document the research projects of fellows sponsored by Council of American Overseas Research Centers (CAORC) and the United States Information Agency (USIA). Materials include proposals, applications, letters of recommendation, correspondence, final reports, and evaluations.

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Creators:
Catherine Viviano Gallery
Dates:
1930-1990
bulk 1949-1978
Size:
11.6 Linear feet
Collection ID:
AAA.cathvivi
Repository:
Archives of American Art

The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.

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Creators:
National Museum of History and Technology. Smithsonian Journal of History Office
Dates:
1963-1972
Size:
6 cu. ft. (12 document boxes)
Collection ID:
Record Unit 193
Repository:
Smithsonian Institution Archives

Records document publication of the Journal from solicitation of manuscripts to final layout. Also included are records for staff information, for example, information regarding various presses. See also: Record Unit 190.

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Creators:
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1930-1995, undated
Size:
115 Boxes
Collection ID:
NMAH.AC.0618.S02
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 primarily consists of color and hand-colored photographs but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Porter, Fairfield
Dates:
1888-2001
bulk 1924-1975
Size:
9.3 Linear feet
Collection ID:
AAA.portfair
Repository:
Archives of American Art

The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.

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Creators:
Cox, Allyn, 1896-1982
Dates:
1856-1982
Size:
11 Linear feet
Collection ID:
AAA.coxally
Repository:
Archives of American Art

The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

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Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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137 records — Page 1 of 14