These records consist of files concerning the establishment of the fellowship by WWICS. Materials include background documentation on other similar prizes, copies of legislation, notes on the process, and notes on Congressional testimony.
The papers of painter James Fitzgerald measure 4.6 linear feet and date from 1905 to 1992. Found within the papers are biographical materials; personal and business correspondence, including fifty-one letters from Rockwell Kent; personal business records; writings; artwork consisting of drawings and 21 sketchbooks; printed material, including a scrapbook of clippings and catalogs; and photographs of Fitzgerald, his family and friends, and his work.
The papers of painter and instructor Edward Dugmore measure 2.0 linear feet and date from 1937-1993. Found within this small collection are biographical materials, scattered business and financial records, notes, a file concerning the Drake University Summer Session, printed material, and photographs. The bulk of the papers consist of correspondence exchanged with art critic Hubert Crehan and artist colleagues including George Abend, Ernie Briggs, Herman Cherry, Lucien Day, Harvey Harris, Reuben Kadish, Mary Fuller McChesney, and Clyfford Still.
The papers of painter Ernest Briggs measure 2.4 linear feet and date from circa 1900-2013, bulk 1940-1983. The collection documents the life and career of this second generation abstract expressionist through biographical material; correspondence with artists and critics; writings and five diaries that chronicle the changing art world from 1950s-1970s; personal business records; printed material; and a significant amount of photographic material documenting the artist and his work.
The papers of New York City arts administrator Porter A. McCray measure 12.3 linear feet and date from 1936 to 1989. The papers include scattered biographical materials, correspondence, and writings and notes. The bulk of the collection consists of professional files documenting his advisory and consulting work for museums, institutions, organizations, and foundations. Also found within the collection are printed materials and photographs of McCray and artwork.
The Schaeffer Galleries records measure 1.6 linear feet and date from circa 1921 to 1982, with the bulk of the material dating from 1935-1950 when the gallery was most active. Owned by Hanns S. and Kate Schaeffer, the gallery first operated in Berlin from 1925 to 1939 and later in New York City from 1936 to circa 2000. Correspondence, subject and exhibition files, purchase records, printed materials, and photographs document the gallery's operations. Primary correspondents include art collector Arthur C. Tate and the gallery's Pacific Coast Director LeRoy Backus.
The Victor D. Spark papers measure 22.2 linear feet and date from circa 1830 to 1983, with the bulk of the material from 1930 to 1970. The papers document Spark's career as a New York City art dealer and appraiser who was most active from World War II through the 1970s, focusing on Old Masters paintings and 19th and early 20th century American art. Found within the papers are biographical materials, artist files, client files, financial records, legal records, printed material, and photographs.
This record unit consists mostly of files maintained by Benjamin H. Read and James H. Billington during their service as directors of WWICS. A small amount of records were created by Albert Meisel as Acting Director of WWICS. The records document the early history of WWICS and concern fund raising; recruitment of fellows and scholars; the ...
Audiotapes, CDs and digital files: an ongoing project to interview and preserve the memories of people important in the jazz world, including jazz musicians, singers, dancers, producers, arrangers, and others. A list of interviewees and interviewers follows. The following is a list of the individuals who conducted the interviews. 1. Brown, Anthon...
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.