19 records — Page 1 of 2
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Creators:
Leutze, Emanuel, 1816-1868
Dates:
[undated]
Size:
2 Items ((on partial microfilm reel))
Collection ID:
AAA.leutemal
Repository:
Archives of American Art

A note to an unidentified person; and one letter to John Minor.

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Creators:
Leutze, Emanuel, 1816-1868
Dates:
1868 May 25
Size:
1 Item
Collection ID:
AAA.leuteman
Repository:
Archives of American Art

A letter dated May 25, 1868 from artist Emanuel Leutze to engraver John Sartain. Leutze mentions wanting to contact fellow artist Trevor McClurg.

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Creators:
Darley, Felix Octavius Carr, 1822-1888
Dates:
between 1840 and 1880
Size:
1 Drawing (pencil on paper, 8.8 x 8.2 cm., mounted on sheet 12.5 x 10.2 cm. In hinged mat, 25.5 x 20.3 cm.)
Collection ID:
AAA.darlfell
Repository:
Archives of American Art

Caricature portrait profile of Emanuel Leutze.

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Creators:
Stehle, Raymond L.
Dates:
1910
Size:
2 Items ((microfilmed on 1 reel))
Collection ID:
AAA.stehraym
Repository:
Archives of American Art

Handwritten notes by Leutze describing his 1861 mural in the United States Capitol Building Westward the Course of Empire Takes its Way (also known as Westward Ho!), 9 p.; and a 3 p. typescript, "Aus Berliner Kunstausstellungen," by Rudolf Klein, regarding portraits by Leutze, ca. 1910.

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Creators:
Chipp, Herschel Browning
Dates:
1964-1974
Size:
300 Items ((on 2 microfilm reels))
Collection ID:
AAA.chiphers
Repository:
Archives of American Art

Papers of curator Herschel Browning Chipp concern the provenance, conservation, publication and exhibition of the painting "Washington rallying the troops at Monmouth," 1854, by Emanuel Gottlieb Leutze, owned by the University of California, Berkeley, University Art Museum.

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Creators:
Conarroe, George M. (George Mecum), d. 1896
Dates:
1804-1864
Size:
6 Items ((on partial microfilm reel))
Collection ID:
AAA.conageor
Repository:
Archives of American Art

Letters: to Mr. Peale from Thomas Jefferson, Dec. 28, 1808; to Noah Porter from Emanuel Leutze, Nov. 16, 1864; to Col. Deming from Thomas Buchanan Read, Aug. 3.; to Charles Willson Peale from Joseph Banks, Feb. 2, 1804, and Robert Fulton, Sept. 22, 1806; to William H. Sweetser from Samuel F. B. Morse, July 28, 1852.

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Creators:
Swanner, John MacDonald, 1922-
Dates:
1970
Size:
58 Pages ((on partial microfilm reel))
Collection ID:
AAA.swanjohn
Repository:
Archives of American Art

Correspondence and miscellany relating to Swanner's research on various works by George W. Harvey, Albert L. Groll, William H. Weaver, Emanuel Leutze, William D. Washington, and on Union Station in Washington, D.C.

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Creators:
Rockwood, George Gardner, 1832-1911
Dates:
undated
Size:
24 Items (photographic prints, b&w, 17 1/2 x 13 1/2 cm., on sheet 30 1/2 x 24 cm. or smaller.)
Collection ID:
AAA.rockgeor
Repository:
Archives of American Art

Portraits of artists taken by George Rockwood and Napoleon Sarony (Sarony Photographic Co.) for the large paper, extra-illustrated edition of Henry Tuckerman's, "American artist life : comprising biographical and critical sketches of American artists : preceded by an historical account of the rise and progress of art in America : with an appendix c...

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Creators:
Graham, Robert Claverhouse, 1913-1994
Dates:
1783-1935
bulk 1804-1877
Size:
0.2 Linear feet
Collection ID:
AAA.grahrobe
Repository:
Archives of American Art

The Robert C. Graham collection of artists' letters measure 0.2 linear feet and dates from 1783 to 1935, with the bulk of the letters dating from 1804 to 1877. Graham, an art dealer and collector, compiled the unrelated letters of several late eighteenth-century and nineteenth-century painters such as Thomas Biddle, Thomas Doughty, G. P. A. Healy, Daniel Huntington, Henry Inman, Emanuel Leutze, Samuel F. B. Morse, Rembrandt Peale, John Singer Sargent, Thomas Sully, John Trumbull, Benjamin West, and others.

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Creators:
Sill, Joseph, 1801-1854
Dates:
1832-1854
Size:
2 Items (partial microfilm reels)
Collection ID:
AAA.silljose
Repository:
Archives of American Art

Ca. 850 pages of selected art related excerpts from Sill's diaries. The diaries date from 1832 to 1854 and document his own painting activities, his association with the Artists and Amateurs Association, Artists' Fund Society, and Pennsylvania Academy of the Fine Arts. He gives his reactions to the work of other artists as seen in exhibitions in Ph...

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19 records — Page 1 of 2