21 records — Page 1 of 3
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Creators:
Rogers, John B., Producing Company
National Museum of American History (U.S.). Division of Community Life
Dates:
1929-1934.
Size:
0.33 Cubic feet (1 box)
Collection ID:
NMAH.AC.0245
Repository:
Archives Center, National Museum of American History

The John B. Rogers Producing Company was established in 1903 as a supplier of costumes, sets, lights, and scripts for amateur theater. Its main office remained in Fostoria, Ohio until 1977, when the company moved to Pittsburgh, Pennsylvania.

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Creators:
Strayhorn, Billy (William Thomas), 1915-1967
Claxton, William
Kenton, Stan
Leonard, Herman, 1923-2010
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Dates:
1920-2002
Size:
87 Cubic feet (188 boxes)
Collection ID:
NMAH.AC.0845
Repository:
Archives Center, National Museum of American History

Papers and audiovisual materials documenting Russo's career in music.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1708-1938
Size:
10.92 Cubic feet (consisting of 23 boxes, 2 folders, 2 oversize folders, 1 flat box, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Plays
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Plays forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Eames, Henry Purmort, 1872-1950
Lincoln Commercial Club
Dates:
Summer 1916
Size:
1 Volume (60 pages)
4 Pages
7 Photographs
Collection ID:
NAA.MS7442
Repository:
National Anthropological Archives

One printed note and libretto for The Gate City: A Masque of the City of Omaha, a production of the Lincoln Commerical Club of the University of Nebraska. It was the second of a series of The Pageant of Lincoln. The is also a printed program. The photographs include scenes from the masque, including a portion called The sacred tree of the Omaha. In...

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Creators:
Davis, Luther
Davis, Joan Bassie
Dates:
1916-2007, undated
bulk 1936-2007
Size:
14 Cubic feet (40 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1148
Repository:
Archives Center, National Museum of American History

Luther Davis (1916-2008) was an awarding winning writer, playwright and screenwriter. He won a Antoinette Perry (Tony) Award in 1954 for the musical Kismet. He was the playwright for Lady in a Cage, and Grand Hotel and many other productions.

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Creators:
Steinitz, Kate Traumann, 1889-1975
Dates:
circa 1910-2002
Size:
4.3 Linear feet
Collection ID:
AAA.steikate
Repository:
Archives of American Art

The papers of artist, collector, librarian, and scholar Kate Steinitz measure 4.3 linear feet and date from circa 1910 to 2002. The collection documents Steinitz's life and career in Germany and the United States through biographical material; correspondence; writings, including manuscripts and travel diaries; exhibition files; personal business records; printed material; travel scrapbooks; artwork; and photographs.

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Creators:
Ellington, Duke, 1899-1974
Yim, Ken
Rider, Doug
English, Fred
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Dates:
1969-1986
Size:
2 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.0494
Repository:
Archives Center, National Museum of American History

The bulk of this collection consists of materials pertaining to Queenie Pie, a comic opera in seven scenes. Also included are publicity, correspondence for the opera, Ellington's autobiography Music is My Mistress, and a script for the Ellington work, My People.

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Creators:
Evans, John, 1932-
Dates:
1957-2012
bulk 1970-2012
Size:
7.1 Linear feet
1 Gigabyte
Collection ID:
AAA.evanjohn
Repository:
Archives of American Art

The papers of John Evans, 1957-2012, bulk 1970s-2000, measure 7.1 linear feet and 1.00 GB and document the collage artist's involvement with mail art. The vast majority of letters are from mail artists, often with embellished envelopes and include and a digital version of Collected Essays by John Held, Jr. Writings include a thesis about mail art by Marya Trianfellos. Subject files concern art stamps, mail art shows and events, Ray Johnson's death and memorial tributes to him. The most thoroughly documented mail art project, "John Evans Fake Collages," is of unknown origin. In addition, there are a few items relating to projects conceived by Evans and more substantial documentation of projects initiated by Christina Behmenburg, Leslie Caldera, Ryosuke Cohen, Peter W. Kaufmann, Angela and Peter Netmail.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1851-1965
Size:
9.09 Cubic feet (consisting of 17.5 boxes, 1 folder, 19 oversize folders, 12 map case folders, 3 flat boxes (1 full, 2 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.World
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: World Expositions forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Nengudi, Senga, 1943-
Dates:
1947
circa 1962-2017
Size:
12.8 Linear feet
11.24 Gigabytes
Collection ID:
AAA.nengseng
Repository:
Archives of American Art

The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.

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21 records — Page 1 of 3