Exhibition and Publication Records
This accession consists of records that document exhibition planning and production, and curatorial publishing activities during the tenures of Deputy Directors Charles J. Robertson (1986-2001) and Rachel M. Allen (2002- ). Some materials date to when the museum was known as the National Museum of American Art. Materials include budgets, proposals, financial and …
Exhibition Records
This accession consists of records documenting the activities of the Registrar's Office in their work on Smithsonian American Art Museum (SAAM) and the Renwick Gallery exhibitions. Also included are records documenting their work on the deinstallation and installation of artwork for building renovations. Some records in this accession come from …
Departmental Records
This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with museums within and outside of the United States and …
Exhibition Records
This accession consists of drawings documenting the design of exhibitions at the Cooper-Hewitt, National Design Museum. Exhibitions documented in this accession include "Huguenot Legacy: English Silver, 1680-1760;" "Avant-Garde Letterhead;" "Lace;" "What Could Have Been: Unbuilt Architecture of the 80s;" "Solos: Smartwrap;" "Faberge: Jeweler to Royalty;" "Art Nouveau Bing: The Paris Style 1900;" "Mechanical …
Dorothy Liebes papers
bulk 1922-1970
The papers of weaver, textile designer, and consultant Dorothy Liebes date from circa 1850-1973 (bulk 1922-1970) and comprise 24.7 linear feet. Through biographical material including a sound recording of an interview, family and general correspondence, writings including a draft of Liebes's autobiography, subject files providing detailed records of her influential consulting work, financial and legal files, printed material, scrapbooks, artwork, textile samples, and photographic material picturing a wide variety of career and personal activities, the collection provides rich and extensive documentation of Liebes's career and personal life.
Frank and Lillian Gilbreth Collection
Gilbreth, Frank Bunker, 1868-1924
Gilbreth, Lillian Moller, 1878-1972
bulk 1911-1924
5 Cubic feet (19 boxes)
The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Also included are slides dcoumenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.
Productions
This accession consists of videotapes and audiotapes created during the production of "Here At The Smithsonian" ("HATS"), an eight volume series of television productions. The series was conceived by Nazaret Cherkezian, Director, Office of Telecommunications (1976-1986) and produced by Ann Carroll (Volumes I-IV) and John P. Meehan (Volumes V-VIII). Due to …
Records
The records contained in this record unit are essentially those of Frank A. Taylor in his capacity as Director, United States National Museum (1962-1971) and Director General of Museums (1968-1971). However, some records as Chairman of the Exhibits Modernization Committee (1943-1959) and Director of the National Museum of History and Technology (1958-1964) as well …
William J. Hammer Collection
Original documents and papers generated by William J. Hammer and by various companies and individuals with whom he was associated. Includes material related to the research and inventions of Edison, Bell, Tesla, the Curies, etc.
Downtown Gallery records
bulk 1926-1969
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
