65 records — Page 1 of 7
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Creators:
Deneen, James B.
Klein, Paul
Kordic, Vladimir
Mahoney, Dick
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Dates:
1976-1986
Size:
1 Cubic foot (1 box)
Collection ID:
NMAH.AC.0574
Repository:
Archives Center, National Museum of American History

Lithographs commissioned for the Thompson products company calendars. The lithographs are of automobiles and are illustrated by well known artists, such as James B. Deneen, William J. Sims, Vladimir Kordic, Dick Mahoney, and Robert Moyer.

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Creators:
Norcross, Arthur Dickinson, d. 1968
Tuck, Raphael, fl. 1880s
Norcross Greeting Card Company (New York (N.Y.))
Rust Craft Publishers (Boston, Mass.)
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Dates:
1800-1981
bulk 1880-1881
Size:
202 Cubic feet (179 boxes, 362 volumes)
Collection ID:
NMAH.AC.0058
Repository:
Archives Center, National Museum of American History

Collections consists of the records of both the Norcross Greeting Card Company founded in New York City in the 1920s and The Rust Craft Greeting Card Company, founded in Kansas City, Missouri, 1906. Both the Norcross and Rust Craft companies collected antique greeting cards. Also includes a small number of modern cards by other manufacturers, circa 1930-1980. Collection represents development of the greeting card industry, social trends in the United States and technology of the printing industry from 1924 through 1978.

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Creators:
Wood, Arthur Bernie, 1921-1986
Dates:
1942-2001
bulk 1960-1969
Size:
10 Cubic feet (27 boxes, 2 oversize folders)
Collection ID:
NMAH.AC.0962
Repository:
Archives Center, National Museum of American History

A. (Arthur) Bernie Wood (1921-1986) was an advertising designer, consultant, and inventor actively involved in the development of the restaurant franchise industry in America during the 1960s and 1970s. Particularly notable is his work with marketing, promotion, and merchandising for the McDonald's Corporation during its formative years.

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Creators:
Porter, Fairfield
Dates:
1888-2001
bulk 1924-1975
Size:
9.3 Linear feet
Collection ID:
AAA.portfair
Repository:
Archives of American Art

The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.

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Creators:
Neiman, LeRoy, 1921-2012
Dates:
1938-2005
Size:
70.5 Linear feet
Collection ID:
AAA.neimlero
Repository:
Archives of American Art

The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.

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Creators:
Kraushaar Galleries
Dates:
1877-2006
Size:
91.9 Linear feet
Collection ID:
AAA.kraugall
Repository:
Archives of American Art

The records of New York City Kraushaar Galleries measure 91.9 linear feet and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.

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Creators:
Clay, Elizabeth Campbell Fisher, 1871-1959
Dates:
circa 1873-circa 2015
bulk 1890-1930
Size:
1.9 Linear feet
0.057 Gigabytes
Collection ID:
AAA.clayeliz
Repository:
Archives of American Art

The papers of Massachusetts lithographer and etcher Elizabeth Campbell Fisher Clay measure 1.9 linear feet and 0.057 GB and date from circa 1873 to circa 2015, with the bulk of materials from 1890 to 1930. This collection includes biographical materials, correspondence, writings, fifteen diaries, six travel diaries, teaching files, artwork, printed materials, and photographs.

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Creators:
Allan Frumkin Gallery
Dates:
1880
1944-2016
Size:
25.6 Linear feet
Collection ID:
AAA.allafrum
Repository:
Archives of American Art

The records of the Allan Frumkin Gallery, a Chicago and New York City gallery, measure 25.6 linear feet and date from 1944-2016 with one letter pertaining to artwork documentation dating from 1880. The collection documents the gallery's activities through administrative files, dealer and client correspondence, artist files, financial records, gallery newsletters, printed material, and photographic material. Artist files represent over one-third of the collection and provide insight into the close relationship between Frumkin and many of the gallery's major artists including Robert Arneson, Luis Cruz Azaceta, Jack Beal, Joan Brown, Colin Lanceley, Maryan, Roberto Matta, Philip Pearlstein, Peter Saul, H.C. Westermann, and William T. Wiley. Also included in the collection are the Frumkin Family papers, consisting of writings by Allan and wife Jean Martin Frumkin, editorial copy of Art Book Review, personal papers, and material relating to the Frumkin personal art collection and estate.

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Creators:
Jeffers, Grace
Formica Corporation.
Dates:
1913-2003
Size:
18 Cubic feet (59 boxes, 11 oversize folders )
Collection ID:
NMAH.AC.0565
Repository:
Archives Center, National Museum of American History

The Grace Jeffers Collection of Formica Materials consists of textual files, photographs, slides, negatives, drawings, blueprints, posters, advertisements, product brochures, newsletters, and informational pamphlets documenting the history of the Formica Corporation and the use of Formica brand plastic laminate.

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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65 records — Page 1 of 7