A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Lithography forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

The papers of lithographer, educator, and author Bolton Coit Brown measure 1.7 linear feet and date from 1882 to 1987 with the bulk of the material dating from 1882 to 1936. Found within the papers are biographical material; extensive personal correspondence with family members and friends; writings, including drafts of Art of Art Study and Lithography Since Whistler; and printed material.

This accession consists of audiovisual materials recorded or collected by the Office of Public Programs to be used in programs at the National Museum of American Art (NMAA). Some of the materials come from when the office was known as the Department of Education and from when the museum was known as the National Collection of Fine Arts (N...

The papers of New York author, art critic, and teacher Harold Rosenberg, and writer May Tabak Rosenberg, measure 4.0 linear feet and date from circa 1880-1985, with the bulk of the collection dating from the 1940s to the late 1970s. Records primarily document May Rosenberg's writing career and, to a lesser degree, her husband's career, through address books and calendars, letters, writings and notes, scattered business records, printed material, and photographs. Harold Rosenberg is documented most fully in the photographs, which include individual and family portraits, photographs of the Rosenbergs with family and friends, including artists and writers, and photographs taken in Springs, New York, where the Rosenbergs were part of the summer art colony in East Hampton.

The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.4 linear feet and date from 1922 to 1979. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, artwork, and photographic material.

Each print bears a stamp with the name of the American Photo-lithographic Company and a statement that it was Osborne's Process that was used.

The papers of Victoria Hutson Huntley measure 1.3 linear feet and date from 1929-1999. Biographical material, correspondence, writings, artwork, printed material and photographs chronicle the professional activities and personal life of the lithographer and muralist.

Art historian Mary Margaret Sittig's research material on Louis Prang dates from 1860 to 1978 and measures 3.5 linear feet. Found within the papers are biographical material for Louis Prang and for Mary Margaret Sittig, collected letters from various members of the Prang family, and scattered letters to Sittig from friends. Additional collected research materials include scattered personal business records for Louis Prang and his wife, notes and writings, art work, printed material, and photographs.

These records pertain to the Resident Associates Program, Studio Arts Department's involvement with the Discover Graphics Program. They consist of correspondence and memoranda that document student exhibitions, funding proposals, teacher training, publicity, lithography, and inventory; course descriptions; list of participant's addresses; ...

The Kenjilo Nanao papers measure 11.3 linear feet and date from circa 1885-1887 and circa 1949-2017, with the bulk of the papers dating from 1970 to 2000. Biographical material includes forms of international identification, travel documents, early academic writing on art, and interviews in the form of written typescripts and digital audio recordings. Correspondence is mostly personal between friends and family, in addition to a few folders of professional correspondence spanning Nanao's career. Correspondence drafts also appear as entries in bound journals. The Journals series includes bound journals of mixed content such as thoughts on art, to-do lists, and artwork in various media including watercolors and charcoal. Professional files include various professional portfolios that Nanao produced for the purpose of tenure review, a binder detailing relationships with various galleries, and various teaching materials and studio documents. Printed materials include exhibition catalogs, invitations, and clippings. Photographs are primarily of family and friends, with some images of artwork and exhibitions. Artwork includes sketchbooks, as well as some loose drawings and watercolors.