An interview of Robert Longo conducted 2009 January 30-31, by Judith Olch Richards, for the Archives of American Art, at Longo's studio, in New York.

Biographical material; business and personal correspondence, 1963-2001; lists of paintings sold, 1970 and undated; notes and writings, ca. 1964-1992, undated; printed material; photographs; works of art; exhibition posters and a signed proof poster for Well's exhibition at the Max Hutchinson Gallery, New York, 1971; and portfolio prints for the Ame...

The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

Recorded conversation between Ned Rifkin and Gary Falk at Falk's studio, New York, Dec. 5, 1984, in preparation for Rifkin's exhibition "Signs", 1985, at the New Museum of Contemporary Art. Falk talks about his current work; his use of computer generated images; his arrangement of images; his use of patterns on grid systems; the multiple meaning of...

The records of the Terrain Gallery measure 5.3 linear feet and date from circa 1950s-2005, bulk 1955-1985. The bulk of the records consists of exhibition files that document over one hundred and forty exhibitions as well as the gallery's relationship with artists. The collection includes founding documents, correspondence, artists' files, writings and an interview, financial records, scrapbooks, and photographs.

An interview with Bill T. Jones conducted 2018 March 23, by Svetlana Kitto, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Jones' office, New York Live Arts, in New York, New York.

An interview with Thomas Lawson conducted 2018 August 9-10, by Russell Ferguson, for the Archives of American Art, at Lawson's home in Los Angeles, California.

The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials. The 2015 addition of 14 linear feet consists of inventory and client sales records in the form of card indexes. The 2019 addition consists of material related to Marilyn Fischbach's art collection.

The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.