The Committee for the Simon Rodia Towers in Watts records measure 0.2 linear feet and date from 1953-1989. The records include clippings, a transcript of the film The Towers, interview transcripts with the towers' creator Simon Rodia, materials related to the Watts Towers' false restoration, photographic material, and unpublished articles by Jeanne Morgan. The records were compiled by Jeanne S. Morgan, founding member, executive director, and chair (1978-1980) of the Committee for the Simon Rodia Towers in Watts.

This collection consists of sixteen black and white 3.5 by 6 inch negatives, two black and white 3.75 x 4.5 inch negatives and one 3.5. by six black and white print of scenes from the 1910 Dominguez Air Meet in Los Angeles, California. This collection also contains two newspaper articles on the Air Meet: "By the Way...with Bill Henry," and a newspa...

This accession consists of Harry H. Knight's professional and personal correspondence, class notes and records (as both teacher and student), research, drafts of papers, published papers, and photographs. Of note are letters from family and friends in St. Louis, Missouri, and Los Angeles, California, c. 1910-1975; correspondence files of the ...

The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marian Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.

The records of the Woman's Building feminist arts organization in Los Angeles measure 33.4 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.

Although an Education Department was not formally established at the Cooper-Hewitt Museum until 1991, these records document educational activities and outreach in the Museum, and were maintained by the newly established Department. These records consist of files on tours and lectures offered by the Cooper-Hewitt Museum from 1976 to 1988....

The Arctic Circle records include materials gathered by Bert and Ellen Witt for their private gallery of Inuit art The Arctic Circle. These materials include native artists information which is organized by community, reference material organized topically, slides from the gallery's annual print collections as well as photographs of scupltures and textiles displayed in the gallery. Much of the reference material used by the gallery pertains to native communities in the Nunavet Territory of Canada such as Cape Dorset and Baker Lake as well as other small communities throughout the Northwest Territiories. Additionally photographs taken by Bert and Ellen Witt's son Tony during a trip to Canada in 1973 are included in this collection.

The Irving Blum Gallery and Ferus Gallery announcements consist of 32 announcements for exhibitions at the Los Angeles Ferus Gallery (1957-1966) and its successor the Irving Blum Gallery (1966-circa 1972). Exhibition announcements are for many exhibitions of southern California contemporary and pop artists, as well as New York artists. Artists represented by announcements include John Altoon, Don Bachardy, Larry Bell, Billy Al Bengston, Robert Irwin, Jasper Johns, Donald Judd, Craig Kauffman, Roy Lichtenstein, Edward Moses, Kenneth Noland, Ad Reinhardt, Ed Ruscha, Frank Stella, and Andy Warhol, among others.

The Los Angeles Museum of Art / Roger Wong Gallery records measure 4 linear feet and date from 1966 to 1988. Owned by Roger Wong, the gallery was located in Los Angeles, California and primarily exhibited avant-garde art. Biographical materials, correspondence, artists' files, administration records, financial and legal records, printed materials, and photographs document the gallery's operations.