Photographs taken by Veronique Goblet-Vernormelingen during her stay among the Luba people of Zaire in and around Kaniama in 1986.
Photographs taken by L. Gabriel in Central Africa and Mozambique between 1914-1920.
This album contains 57 photographic prints, dating from circa 1899-1900, depicting the indigenous peoples of the Belgian Congo (later known as Zaire and presently known as the Democratic Republic of the Congo). Subjects depicted include costumes, body arts (hairstyles and scarification), funerary rituals, weavers and blacksmiths. Culture groups represented in the collection include the Kasai, Kwango and Luba peoples.
Photographs collected by William Brill to document his personal collection of African art objects, including masks, sculpted figures, and tools.
This collection is comprised of photographs collected by William W. Brill to document his personal collection of African art objects, which primarily contains masks, sculpted figures, and tools.
Photographs taken by Eliot Elisofon in Africa and in European and American museums and collections during his extensive travels from 1942 through 1972. African kingdoms and peoples represented include Afo, Anyi, Asante, Atie, Baga, Bamana, Baule, Bembe, Benin, Bobo, Boki, Bozo, Chamba, Chokwe, Dan, Dinka, Dogon, Ebrie, Efik, Ejagham, Hausa, Ibibio, Idoma, Ife, Igbo-Ukwu, Ijo, Jenne, Jukun, Kamba, Kissi, Kom, Kongo, Kono, kota, Kpelle, Kuba, Kuyu, Kwele, Lega, Lobi, Loma, Lozi, Luba, Lulua, Lunda, Mambila, Mende, Mossi, Nalu, Ndebele, Ngbaka, Ngoni, Nok, Nupe, Nyamwezi, Pende, Suku, Susu, Tabwa, Teke, Temne, Tetela, Tiv, Tuareg, Urhobo, Vai, Woyo, Yaka, Yoruba, and Zande.
The photographs document a variety of art works created by Africans. Objects depicted include boxes, bracelets, figures, gold weights, headrests, heads, masks, pendants, stools, and trumpets. Peoples and kingdoms represented include Anyi, Asante, Bamum, Bangwa, Baule, Benin, Chokwe, Fang (Pahouin), Fon, Ife, Lega, Luba, Mende, Nok, Pende and Yoruba. Princeton University staff assembled the collection to illustrate the publications entitled, African Folktales & Sculpture, ed. by Paul Radin (New York: Pantheon Books, 1952). Photographers represented include Ina Bundy, Eliot Elisofon, Walker Evans and Man Ray.
Postcards collected by Dr. Raymond Corbey whose published works discuss most of the postcards in this collection. One part of the collection consists of postcards which Corbey acquired. The second part of the collection was compiled by a French colonial, known only as "Nic." Dr. Corbey organized the postcards according to theme and publisher. Themes include Northern Africa World Fairs and Religious Societies. Publishers include J. Geiser (Algiers), Lehnert and Landrock (Tunis), Gautron (Dakar), Fortier (Dakar), and Nels and Ernest Thill (Brussels). Among the more prominent postcard images is one of a minkisi by R. Visser (ca. 1890), depictions of installations and fairs at Tervuren (1900) colon sculptures in Savalou (Benin), circa 1920, an early depiction of a "Ricksha" boy, a Luba mask dancer, and a village chief in Dahomey.
Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.
This accession consists of cassette audiotapes and U-matic videotape recordings of lectures presented by staff members of the National Museum of African Art (NMAfA), as well as guest lecturers, at docent training classes. The lectures provide information on the Museum's permanent and temporary collections, and the history of African art a...
This accession consists of files created and maintained by Edward Lifschitz. These records document public education programs in African art, history, and culture. Materials include correspondence and memoranda; workshop and symposium information; contractual agreements; reports; evaluation forms; docent training information; docent newsl...