Anne Swartz interviews with artists
The Anne Swartz interviews with artists measure 2.3 linear feet and contain video interviews with contributors to the Pattern and Decoration movement, conducted in 1998 for the production of the documentary Pattern and Decoration: The Great Untold Story (1999). Additional video of exhibitions and studio space are included, as well as the final version of the documentary.
Holly Solomon Gallery records
The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.
Oral history interview with Valerie Jaudon
United States. General Services Administration. Design Excellence and the Arts Oral History Project
95 Pages (Transcript)
An interview of Valerie Jaudon conducted 2009 Oct. 8-Dec. 22, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Jaudon's studio, in New York, N.Y.
Richard D. Marshall papers
The papers of New York-based curator and art consultant Richard D. Marshall measure 15.8 linear feet and 26.07 GB and date from 1969-2014. The interviews, exhibitions and research files, client files, other professional files, printed material, photographic material of artwork, and born-digital material primarily reflect Marshall's work outside his role at the Whitney Museum. The exhibition and research files make up the bulk of the collection and document his independent curatorial and writing projects on artists Jean-Michel Basquiat, Alexander Calder, Robert Mapplethorpe, Jack Pierson, and Ed Ruscha, as well as his role in building the Lever House Art Collection. Sound and video recordings are also found in the collection, primarily with interviews and exhibition and research material.
Rosamund Felsen Gallery records
The Rosamund Felsen Gallery records measure 28.9 linear feet and date from 1949 to 2014, with the bulk of the records dating from 1978 to 2014. The records shed light on the gallery's operations primarily through administrative records, artist files, exhibition and event files, financial records, born digital material, photographs, and slides.
Los Angeles Institute of Contemporary Art records
The records of the Los Angeles Institute of Contemporary Art measure 18.9 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides. There is a 0.9 linear foot unprocessed addition to this collection donated in 2021 that includes slides; performance and exhibition notes and supplements; newsletters and other printed material; a chronology of exhibitions, projects, publications and activities. Materials date from 1974- 1987.
This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with museums within and outside of the United States and …
These records document the planning, development, and installation of exhibitions by the Department of Painting and Sculpture, Hirshhorn Museum and Sculpture Garden (HMSG). Included are biographical and bibliographical research files on artists; correspondence with museums, galleries, and artists concerning loan of artwork; loan reports; shipment records; installation notes and photographs …
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.