William Macbeth papers
A family genealogy; four diaries in which Macbeth describes his family, life and work in Ireland, travelling to the U.S., working for Frederick Keppel and Co., his courtship to Jessie Walker, travels, starting the Macbeth Gallery, and other routine matters; two travel journals from European trips, an obituary from AMERICAN …
Macbeth Gallery records
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.
Robert G. McIntyre papers
Personal and research correspondence, artwork; writings; and photographs.
Jay H. Connaway papers
Biographical material; correspondence of Jay H. and Louise B. Connaway, 1922-1979, with the Macbeth Gallery, Edna and Frank Spencer, friends, students of Jay Connaway Art School, and others; notes; sketches, sketchbooks, and oil paintings; financial material; files of the Southern Vermont Art Center; scrapbooks containing printed material; letters and photographs; correspondence …
John Quinn ledgers
Ledgers detailing the art purchases of John Quinn. Entries include the Association of American Painters and Sculptors listing purchases from the Armory Show, February to June 1913, of works by Cezanne, Renoir, Raymond Villon-Duchamp, Andre Derain, Jules Pascin, Odilon Redon, Walt Kuhn, Jacques Villon and others. Also entered are purchases from …
Elliot Orr papers
Correspondence (1929-1984), a price list, subject files, notes, writings, art works (1929-1935), scrapbooks, printed material (1931-1984), and photographs document the life and career of Elliot Orr.
W. A. Leonard receipt from purchase of a print
A receipt from the firm of Frederick Keppel for a woodcut by Albrecht Durer, sold for 5 dollars to the Rev. W. A. Leonard on March 15, 1875. The receipt is signed by Keppel's assistant, W[illiam] Macbeth.
Cole's notes in Dunlap's History of the rise and progress of the arts of design in the United States
William Dunlap's History of the rise and progress of the arts of design in the United States (George P. Scott and Co., N.Y., 1834). Volume II contains Cole's signature inside the front cover and his handwritten reaction to Dunlap's biography of him (p. 350-367), written in light pencil. Accompanying the texts is …
Doll & Richards gallery records
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.
Francis Patrick Garvan papers
Garvan, Francis P. (Francis Patrick), 1875-1937
The papers of art collector Francis Patrick Garvan measure 44.9 linear feet and date from 1912 to 1953, with one document from 1867. The papers provide extensive documentation on the Garvan collection which included rare books, ceramics, glass, paintings, prints, and furniture. The majority of the collection consists of inventory records that give descriptive information regarding each piece in the collection; in many cases the files also include a photograph of the object. Also found are correspondence and subject files; auction records for sales at the American Art Association, Parke-Bernet Galleries, and Plaza Art Galleries; loan records; estate records; and a small amount of printed material, writings, and photographs. Approximately half of the Garvan papers were created posthumously by Mabel Brady Garvan and the managers of Garvan's estate.