Stanton Macdonald-Wright papers
The papers of Southern California painter Stanton Macdonald-Wright measure 17.2 linear feet and date from 1890 to 2008. The collection contains biographical material including address books and interview transcripts; correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson; contracts, correspondence, and other material related to exhibitions Macdonald-Wright participated in or that featured his works in the decades following his death; notes, drafts and manuscripts for books, and other writings; diaries and travel journals; invoices, inventories, legal and estate documents, and other personal business records; scrapbooks consisting of clippings and exhibition materials; clippings, exhibition announcements, exhibition catalogs, and other printed materials; sketches and other artwork; photographs, slides and transparencies of Macdonald-Wright, family portraits, travels, and artwork.
Microfilm of the Morgan Russell papers
The Morgan Russell papers, 1891-1977, present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence, biographical material, transcripts of lectures given by Russell, illustrated notebooks and sketches, printed material and photographs.
John Weichsel papers concerning the People's Art Guild
The John Weichsel papers concerning the People's Art Guild measure 0.6 linear feet and date from 1905-1965 with the bulk of the material dating from 1905-1929. The papers consist almost entirely of the records of the People's Art Guild, founded by Weichsel, and include administrative records, correspondence, writings and notes, business and financial records, printed material, and artwork.
Central Administrative File, Records
The records pertain to the administration of David W. Scott, director, 1965-1968, Robert Tyler Davis, interim director, 1969, and Joshua C. Taylor, director, 1970- . Some records, most noticeably correspondence with Smithsonian Art Commission members, have been pulled up into the files from previous administrations. Also included are Smithsonian Art Commission and National Collection …
Robert Bruce Inverarity papers
The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 12.7 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.
American Association of Museums Centennial Oral History Interviews
The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff …
John-Manuel Andriote Victory Deferred Collection
Fauci, Anthony S.
Feldblum, Chai R.
John-Manuel Andriote interviewed numerous individuals involved in the AIDS crisis for his book, Victory Deferred: how AIDS changed gay life in America, this collection contains his interview tapes, transcripts, and materials related to the research, writing, and update of his book. It also contains interview transcripts for Andriote's later book, Stonewall Strong.
Rose Fried Gallery Records
The Rose Fried Gallery records measure 8.1 linear feet and date from 1936 to 1972 with the bulk of materials dating from 1945 to 1970. The majority of the collection consists of artists files documenting the gallery's relationship with abstract, modern, and Latin American artists; additional named subject files; and scattered administrative and financial files. Individual artists and subject files contain a wide variety of documentation, such as correspondence, photographs, financial records, and printed materials.
MS 4821 Anthropological Society of Washington records
The record of the Anthropological Society of Washington concern its organization, membership, and management of its business affairs. Records of its early meetings include not only minutes but also summaries--and at times almost complete papers--of its talks and discussions. Often these are manuscripts written by the speakers. There are also small quantities of documents concerning many of the national and local developments in which the society was involved. In addition, documents of the 1950s and 1960s concern the society's special publications and special programs that often involved appearances by outstanding anthropologists from outside Washington.
Ruth Bowman papers
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writings and related research materials include her thesis,"Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.