801 records — Page 1 of 81
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Creators:
Shebairo, Richard
Dates:
1983-1986
Size:
0.02 Linear feet
Collection ID:
AAA.shebrich
Repository:
Archives of American Art

Mail art from Edward M. Plunkett to Richard Shebairo measures 0.02 linear feet and date from 1983-1986, including letters, rubber-stamped envelopes, newspaper clippings, perforated faux postage stamps, several handmade booklets and rubber stamped communications, an unopened letter to Plunkett, which he altered with rubber stamps and signed "EMP 84." Also included is a 3x5 inch memo book inscribed "to Richard April 1, 1985 E M Plunkett," containing rubber-stamp narratives. Correspondence relates to accounting tasks and materials, accompanied with mentions of Plunkett's enclosed mail art.

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Creators:
Held, John, 1947-
Dates:
bulk 1973-2013
1947-2018
Size:
12.9 Linear feet
Collection ID:
AAA.heldjohn
Repository:
Archives of American Art

The papers of rubberstamp and artistamp artist, performance artist, collector of mail art, and fine arts librarian John Held, Jr. date from 1947-2018, bulk 1973-2013, and measure 12.9 linear feet. Found within the papers are biographical material, 18 printed diaries, letters received by Held from mail artists around the world, art work consisting of artistamps designed by miscellaneous mail artists, interview transcripts, writings, project and event files, printed material, mail art sent for the Gutai Historical Survey Exhibition held at the San Francisco Art Institute in 2013, and a collection of biographical material presented by Held at a Mail Art Study Day held at the Archives of American Art in 2018.

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Creators:
Evans, John, 1932-
Dates:
1957-2012
bulk 1970-2012
Size:
7.1 Linear feet
1 Gigabyte
Collection ID:
AAA.evanjohn
Repository:
Archives of American Art

The papers of John Evans, 1957-2012, bulk 1970s-2000, measure 7.1 linear feet and 1.00 GB and document the collage artist's involvement with mail art. The vast majority of letters are from mail artists, often with embellished envelopes and include and a digital version of Collected Essays by John Held, Jr. Writings include a thesis about mail art by Marya Trianfellos. Subject files concern art stamps, mail art shows and events, Ray Johnson's death and memorial tributes to him. The most thoroughly documented mail art project, "John Evans Fake Collages," is of unknown origin. In addition, there are a few items relating to projects conceived by Evans and more substantial documentation of projects initiated by Christina Behmenburg, Leslie Caldera, Ryosuke Cohen, Peter W. Kaufmann, Angela and Peter Netmail.

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Creators:
Carulla, Ramón, 1938-
Dates:
1971-1996
Size:
0.3 Linear feet
Collection ID:
AAA.caruramo
Repository:
Archives of American Art

The Ramón Carulla papers contain letters, photographs, printed material, an interview, sketchbooks, and artwork documenting the career of Cuban American painter Ramón Carulla.

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Creators:
Jordan, Patricia M., 1937-1989
Dates:
1870
1949-1984
Size:
2.4 Linear feet
Collection ID:
AAA.jordpatr
Repository:
Archives of American Art

The papers of San Francisco based Beat photographer Patricia Jordan measure 2.3 linear feet and date from 1870, 1949-1984. The papers include correspondence, much of it illustrated and with Beat artists and poets, writings, exhibition files, printed materials, photographs, and artwork.

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Creators:
Ebendorf, Robert, 1938-
Dates:
1920-2015
bulk 1960-2010
Size:
4.8 Linear feet
0.554 Gigabytes
Collection ID:
AAA.ebenrobe
Repository:
Archives of American Art

The papers of metalsmith and jeweler Robert Ebendorf measure 4.8 linear feet and 0.554 GB and date from 1920 to 2015, with the bulk of the material from 1960 to 2010. The papers document Ebendorf's career through scattered biographical material; business correspondence with galleries, universities, and professional groups as well as personal correspondence with friends and family, including a large collection of mail art; artist statements, teaching philosophies, and reflections by Ebendorf as well as writings by others; application materials for the artist's position as Belk Chair at East Carolina University, student fellowship applications, and other teaching files; audio and video recordings of interviews in digital format; inventories, invoices, and publicity material, including several folders of notes and materials for retrospectives; exhibition catalogs, news clippings, and other printed material; sketches, cut paper, and collage work loose and in sketchbooks; and photographic materials of the artist, friends, family, and artwork.

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear Feet
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed material and photographic materials all show the trajectory of Deem's development as an artist.

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Creators:
Castleman, Riva
Dates:
1871
1930-2013
Size:
10.6 Linear feet
7.83 Gigabytes
Collection ID:
AAA.castriva
Repository:
Archives of American Art

The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.

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Creators:
Charlton, Maryette
Dates:
circa 1890-2013
Size:
80.6 Linear feet
0.34 Gigabytes
Collection ID:
AAA.charmary
Repository:
Archives of American Art

The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

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Creators:
Berensohn, Paulus
Dates:
circa 1950-2017
bulk 1976-2010
Size:
7.7 Linear feet
9.1 Gigabytes
Collection ID:
AAA.berepaul
Repository:
Archives of American Art

The papers of artist Paulus Berensohn measure 7.7 linear feet and 9.1 GB and date from circa 1950-2017, bulk 1976-2010. The collection documents his career as a poet, ceramic artist, dancer, and educator in Penland, North Carolina, through biographical material, correspondence, writings, teaching files, printed materials, photographs of artwork, and works of art on paper and mail art.

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801 records — Page 1 of 81