19 records — Page 1 of 2
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Creators:
Smithsonian Institution. Office of the Provost
Dates:
1992-1996
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 00-043
Repository:
Smithsonian Institution Archives

This accession consists of records that document Special Exhibition Fund (SEF) grant activities for significant exhibitions at the Smithsonian Institution. The fund was first administered by the Office of the Assistant Secretary for the Arts and Humanities, 1992-1994, and by the Assistant Provost for the Arts and Humanities, 1994-1996, be...

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Creators:
Selz, Peter Howard, 1919-2019
Dates:
1929-2014
bulk 1950-2005
Size:
31.5 Linear feet
0.696 Gigabytes
Collection ID:
AAA.selzpete
Repository:
Archives of American Art

The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.

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Creators:
National Museum of American Art. Curatorial Office
Dates:
1990-1998
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 01-110
Repository:
Smithsonian Institution Archives

This accession consists of materials that document the planning and execution of exhibitions at the National Museum of American Art and the Renwick Gallery. Materials include checklists, loan files, installation photos, press kits, correspondence and memoranda, label text, catalog text, slides and photographs, floor plans, brochures, insurance...

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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1989-1996
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 99-076
Repository:
Smithsonian Institution Archives

This accession consists of exhibition files. Materials include checklists; condition reports; budget, shipping, and insurance records; lender files; and general correspondence. Exhibitions include: Metropolitan Lives: The Ashcan Artists and their New York, 1896-1917, Thomas Cole: Landscape into History, and The West as America: Reinterpreting ...

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1971-2010
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 12-612
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Curators represented include Virginia M. Mecklenburg, Joann Moser, Toby Jurovics, and Merry A. Foresta. Also includes materials ...

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Creators:
National Museum of American Art. Office of Exhibition and Design
Dates:
1947-1983
Size:
4.93 cu. ft. (2 16x20 boxes) (37 oversize folders)
Collection ID:
Record Unit 452
Repository:
Smithsonian Institution Archives

This record unit consists of approximately 800 posters, which primarily document exhibitions, programming, and collections at the National Collection of Fine Arts (NCFA) and later, the National Museum of American Art (NMAA). Several posters serve as advertisements for the museum, incorporating imagery from artists' works within the collection....

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2000
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2000
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Lippard, Lucy R.
Dates:
1930s-2007
bulk 1960-1990
Size:
56.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

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19 records — Page 1 of 2