122 records — Page 1 of 13
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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1991-2000
Size:
11.38 cu. ft. (11 record storage boxes) (1 film box)
Collection ID:
Accession 05-231
Repository:
Smithsonian Institution Archives

These records consist of film, video, and audio elements which document the production of several documentary films that supplemented the National Museum of American History exhibition, "American Encounters." "American Encounters" is a permanent exhibition commemorating the Columbus Quincentenary that chronicles the experiences, struggles, ...

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Creators:
Smithsonian Productions
Dates:
1991-1994, 1997-1998
Size:
5.74 cu. ft. (4 record storage boxes) (1.74 non-standard size boxes)
Collection ID:
Accession 02-123
Repository:
Smithsonian Institution Archives

This accession consists of 82 video elements (Beta SP, Umatic, D2, 1" Magnetic); 6 audio elements (1/2", 1/4", 1" audiotapes); and 17 film elements (original 16mm) documenting documentary films supplementing the National Museum of American History exhibition, American Encounters. American Encounters is a permanent exhibition commemorating...

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Creators:
Smithsonian Press/Smithsonian Productions
Dates:
1987, 1989, 1991-1993, 1997
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 02-202
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual records created during the production of "American Encounters," "To Coexist: Diversity and Development," "Diversity Endangered," and "The Beauty and Diversity of Our Planet." "American Encounters" is a series of eight videos about Hispanic and Native American culture in New Mexico. The first five videos ...

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Creators:
Smithsonian American Art Museum. Education Office
Dates:
1991-2000
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 05-213
Repository:
Smithsonian Institution Archives

This accession consists of interviews, raw footage, and final products of videos created by the Smithsonian American Art Museum's Education Department. Many of the titles accompany exhibits at the museum. Materials include audiotape study guides, VHS, Betacam SP, and U-Matics.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 5, 1992
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1992
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Wiegand, Robert, 1934-1993
Dates:
1953-1994
Size:
10.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.wiegrobe
Repository:
Archives of American Art

The papers of New York video artist and painter Robert Wiegand measure 10.9 linear feet and 0.001 GB and date from 1953 to 1994. Found within the collection are biographical materials, correspondence, art project and exhibition files, printed abd digital materials, video art, photographs, and industrial and miscellaneous video recordings. About one-half of the collection is comprised of video recordings.

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Creators:
Smithsonian Astrophysical Observatory. Science Media Group
Dates:
1986-2013
Size:
45.5 cu. ft. (45 record storage boxes) (1 document box)
Collection ID:
Accession 16-090
Repository:
Smithsonian Institution Archives

The Science Media Group (SMG) was founded by Dr. Matthew H. Schneps and Dr. Philip Michael Sadler as an experimental project to explore novel applications of video in the service of science education. In operation at the Smithsonian Astrophysical Observatory and the Harvard College Observatory from 1989 to 2013, this accession consists of...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2013
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2013
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Wilson, Judith, 1952-
Dates:
1966-2010
Size:
11.2 Linear feet
27.94 Gigabytes
Collection ID:
AAA.wilsjudi
Repository:
Archives of American Art

The papers of African American art historian Judith Wilson measure 11.2 linear feet and 27.94 GB and date from 1966 to 2010. Wilson's career is documented through correspondence with friends, colleagues, artists, universities, and art organizations; notebooks; files on writing projects, conferences, lectures, symposia and other professional activities; and a small amount of printed material. Also found is research material on artist Bob Thompson, including photographs, printed material, correspondence, notebooks and a documentary video recording. Additionally, the collection includes sound recordings of 71 interviews of artists and art collectors and six video recordings. Some of the materials are in digital format.

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Creators:
Sturtevant, 1924-2014
Dates:
circa 1960-2014
bulk 1990-2014
Size:
5.2 Linear feet
0.003 Gigabytes
Collection ID:
AAA.sturelai
Repository:
Archives of American Art

The papers of multi-media artist Elaine Sturtevant date from circa 1960-2014, with the bulk of material dating from the period of the artist's resurgence, 1990-2014. The collection measures 5.2 linear feet and 0.003 GB. The papers document Sturtevant's career and artistic process through correspondence with artists and curators, writings and illustrated notes, exhibition and catalog files, project files, and printed material. Sturtevant's voice and artistic mission emerge through the many items of correspondence, essays, and project notes in the collection. The collection also contains a few born-digital files of scans of exhibition photographs dating from the 1960s.

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122 records — Page 1 of 13