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- Creators:
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Schwartz, Kit
- Dates:
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1977-1978
- Size:
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0.4 Linear feet
- Collection ID:
- AAA.schwkit
- Repository:
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Archives of American Art
A compendium of interviews for a project created by Kit Schwartz consisting of responses by 45 artists to the statement "People who live in glass houses should not throw stones" and responses from 90 artists to the question "Describe yourself as a person." Materials include sound recordings and corresponding transcripts of each response in two scra...
Found In
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- Creators:
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Davidson, Nancy, 1943-
- Dates:
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1970s-2016
- Size:
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5 Linear feet
- Collection ID:
- AAA.davinanc
- Repository:
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Archives of American Art
The papers of New York based interdisciplinary artist Nancy Davidson measure 5 linear feet and date from 1970s-2016. The collection includes biographical material, correspondence, illustrated notebooks and notes, gallery and exhibition files, printed material, photographic material, and two sketchbooks. Nearly one linear foot of correspondence arranged chronologically is both personal and professional. Notable correspondents include Michiko Itatani, Joyce Kozloff, Eunice Lipton, Sabra Moore, and Nancy Spero. Galleries and museums include Marianne Denson Gallery; Museum of Contemporary, Chicago; N.A.M.E. Gallery, of which Davidson was an artist member; the Walker Art Center; and White Columns. Over thirty notebooks capture Davidson's work process, evolution of ideas, related sketches in pen and pencil, reflections from readings and lectures, and notes from critiques with fellow artists Rosemary Mayer, Joyce Kozloff, Ray Yoshida, and Richard Halstead. A large sequence of printed material includes announcements, books, bulletins, newsletters, calendars, clippings, exhibition catalogs, periodicals, press releases, programs, and a few other items of printed matter relating to Davidson's professional career.
Found In
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- Creators:
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Klement, Vera, 1929-
Silverman, Lanny
- Dates:
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2015 June 12 and 14
- Size:
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3 Items (Sound recording: 3 sound files (3 hr., 24 min.), digital, wav)
140 Pages (Transcript)
- Collection ID:
- AAA.klemen15
- Repository:
-
Archives of American Art
An interview with Vera Klement conducted 2015 June 12 and 14, by Lanny Silverman, for the Archives of American Art's Chicago Art and Artists: Oral History Project, at Klement's home and studio in Chicago, Illinois.
Found In
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- Creators:
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Hoffman, Rhona, 1934-
Silverman, Lanny
- Dates:
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2015 June 18-22
- Size:
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3 Items (sound files (2 hrs., 50 min.), digital, wav)
112 Pages (Transcript)
- Collection ID:
- AAA.hoffmar15
- Repository:
-
Archives of American Art
An interview with Rhona Hoffman, conducted 2015 June 18-22, by Lanny Silverman, for the Archives of American Art's Chicago Art and Artists: Oral History Project, at Hoffman's home in Chicago, Illinois.
Found In
Catherine Viviano Gallery records
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- Creators:
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Catherine Viviano Gallery
- Dates:
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1930-1990
bulk 1949-1978
- Size:
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11.6 Linear feet
- Collection ID:
- AAA.cathvivi
- Repository:
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Archives of American Art
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
Found In
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- Creators:
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Pomerantz, Louis
- Dates:
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1937-1988
bulk 1950-1988
- Size:
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34.2 Linear feet
- Collection ID:
- AAA.pomeloui
- Repository:
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Archives of American Art
The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.