Oral history interview with Paul Marioni
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
112 Pages (Transcript)
An interview of Paul Marioni conducted 2006 September 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, Seattle, Washington. Marioni speaks of his childhood in Ohio; excelling in math as a young student …
Oral history interview with Preston Singletary
Savig, Mary, 1982-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
55 Pages (Transcript)
An interview of Preston Singletary conducted 2011 March 23-24, by Mary Savig, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Singletary's studio, in Seattle, Washington.
Oral history interview with Marvin Lipofsky
Karlstrom, Paul J.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
An interview of Marvin Lipofsky conducted 2003 July 30-August 5, by Paul Karlstrom, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Tom Marioni papers
7.37 Gigabytes
The papers of conceptual and performance artist Tom Marioni measure 6.7 linear feet and 7.37 GB and date from 1970-2017. The collection documents Marioni's career through photographs, address and appointment books, visitor books from performances, exhibitions, and other gatherings, printed material, and digital sound and video recordings of exhibitions and events.
David Ireland Papers
bulk 1960-2005
8.39 Gigabytes
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Leo Holub papers
1 Linear foot (Addition)
Biographical material, letters, postcards, notebooks, photographs, and printed material, document Holub's career as a photographer and his association with Ansel Adams.
Lorence-Monk Gallery records
The records of Lorence-Monk Gallery measure normal="1957"> and scrapbooks documenting approximately ninety exhibitions and over 250 American and European artists represented by the gallery from its opening in 1985 until it closed its operation in 1992.
Oral history interview with Dale and Doug Anderson
Oldknow, Tina
Anderson, Doug, 1943-
An interview of wife and husband Dale and Doug Anderson conducted 2005 July 21-22, by Tina Oldknow, for the Archives of American Art, in their home.
James Melchert papers
12.28 Gigabytes
The papers of ceramicist, educator, and arts administrator James Melchert measure 7 linear feet and 12.28 Gigabytes, and date from circa 1949 to 2021. The collection documents Melchert's career through biographical material, personal and professional correspondence, professional files documenting Melchert's teaching, residences, exhibitions, and other professional activities, writings, printed material documenting exhibitions and more, photographic material including images of Melchert and his artwork, and artwork comprising slide projection works.
Ellen Hulda Johnson papers
bulk 1921-1992
The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 61.5 linear feet and date from 1872-2018, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists. There is a 0.2 linear foot unprocessed addition to this collection donated in 2021 that includes letters to Ellen Johnson from others, letters from Johnson to Carl Gerber, and a sketch by Johnson. Materials date from circa 1956-1991.
