18 records — Page 1 of 2
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Creators:
Martin, Homer Dodge, 1836-1897
Dates:
1865-1866
Size:
1 Volume ((116 p. on 1 partial microfilm reel))
Collection ID:
AAA.marthome
Repository:
Archives of American Art

Landscape sketches in pencil and crayon, some dated with titles.

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Creators:
Martin, Homer Dodge, 1836-1897
Berry-Hill Galleries
Dates:
1861-1974
Size:
2 Items ((on partial microfilm reel))
Collection ID:
AAA.marthomd
Repository:
Archives of American Art

Photostat of letter, February 1, 1861, New York, to Isaac Chapman from Martin concerning Martin's painting "The Waterfall" (also called "Autumn in the Adirondacks"). Also included is a clipping of a Berry-Hill Galleries ad in ANTIQUES magazine, 1974 illustrating the painting.

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Creators:
Mosher, Jacob Simmons, 1834-1883
Dates:
1873-1913
Size:
14 Items ((on partial microfilm reel))
Collection ID:
AAA.moshjaco
Repository:
Archives of American Art

Correspondence of and about Homer Dodge Martin and Martin's paintings, 1873-83 and 1906-13, including letters from Martin to Jacob Simmons Mosher. Later letters include correspondence of Dr. J. Montgomery Mosher with Frank Jewett Mather, Frederick Fairchild Sherman and others about Martin's work. [Microfilm is labeled Homer Dodge Martin papers.]

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Creators:
Stillman, James, 1850-1918
Dates:
1882-1898
Size:
0.2 Linear feet
Collection ID:
AAA.stiljame
Repository:
Archives of American Art

The James Stillman letters relating to Homer Dodge Martin measures 0.2 linear feet and consists of 28 letters and 2 pencil sketches dating from 1882-1898. Primarily from late-19th century painter Homer Dodge Martin and his wife, Elizabeth, to art patron and banker, James Stillman, the letters discuss consignment, exhibition and sale of Martin's artwork, his experiences painting while living in France, his financial struggles, and his physical and mental condition. Two pencil sketches by Martin are accompanied by a note dated 1884. Also found are 2 letters from Martin to Mr. Van Loon discussing payment for paintings and 2 letters to Stillman from Bancel La Farge concerning Stillman's purchase of a La Farge watercolor.

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Creators:
Clarke, Thomas B. (Thomas Benedict), 1848-1931
Dates:
1893-1897
Size:
0.2 Linear feet
Collection ID:
AAA.clartbhm
Repository:
Archives of American Art

The Thomas B. Clarke letters from or about Homer Dodge Martin measure 0.2 linear feet and date from 1893-1897. Twenty-two letters from Martin to art collector and patron Thomas B. Clarke, document Martin's work, his financial struggles, and his physical and mental condition in the last 5 years of his life. Additional letters to and from others further illuminate Martin's relationship with Clarke and provide insight into his financial affairs and the increasingly favorable market for the painter's work just prior to and following his death in 1897.

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Creators:
Zalesch, Saul E.
Dates:
1834-1973
Size:
58 Items ((portions microfilmed on 1 reel))
Collection ID:
AAA.zalesaul
Repository:
Archives of American Art

Artists' letters and documents collected by Zalesch and letters written to him in response to inquiries concnering autographs and biographical information.

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Creators:
Library of Congress
Dates:
circa 1890-1945
Size:
183.5 Cubic feet ((58 solander boxes))
Collection ID:
SAAM.Photo.LOC
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Library of Congress Copyright Deposit Collection is comprised of 2,335 photomechanical reproductions of works by 741 artists (mostly American). The large-format prints, deposited with the Library of Congress for copyright between 1890 and 1945, represent a broad range of nineteenth- and twentieth-century American art.

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 3-14, 1974
Size:
1 Cubic foot (approximate)
459 Sound tape reels (approximate)
Collection ID:
CFCH.SFF.1974
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Hart, Charles Henry, 1847-1918
Dates:
1731-1918
Size:
1.7 Linear feet
Collection ID:
AAA.hartchar
Repository:
Archives of American Art

The Charles Henry Hart autograph collection dates from 1731-1917 and measures 1.7 linear feet comprised of 226 letters, portrait prints, and other documents signed by American artists.

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18 records — Page 1 of 2