The papers of Michiko Takaki, 1921-2011 (bulk 1960s), document her field work among the Kalinga people of the northern Philippines and her professional contributions as a faculty member at the University of Massachusetts, Boston. The papers consist primarily of economic and linguistic field data gathered between 1964 and 1968, used in the production of her doctoral dissertation ("Aspects of Exchange in a Kalinga Society, Northern Luzon," 1977) and throughout her anthropological career. The collection consists of field notes, maps, photographic prints, negatives, slides, sound recordings, recorded film, data and analysis, correspondence, working files and drafts, and publications.
The papers of Massachusetts painter, sculptor, and educator David Berger measure 3.8 linear feet and date from circa 1939 to 1986. His career as an artist and professor are documented through biographical material, personal business records, scattered correspondence, gallery files, exhibition catalogs, news clippings, and other printed material, as well as nine sketchbooks and photographs depicting Berger, his family, and artwork.
The papers of draftsman, printmaker, and illustrator, Sears Gallagher measure 1.1 linear feet and date from circa 1882-2010. The collection consists of biographical information including awards and a scholarly biography; correspondence, primarily professional in nature, documenting the placement of works; professional files that document the management of studio practices including the printmaking process and the distribution and sale of prints; scrapbooks chronicling Gallagher's professional and family history in the form of clippings, photographs, and correspondence; printed material including clippings and commercial prints of watercolors; photographs including those of the artist and his studio; and artwork including numerous drawings on paper and sketchbooks documenting key moments of travel and artistic production.
The papers of sculptor Bashka Paeff measure 1.5 linear feet and date from 1920 to 1981. The small collection documents her work as an artist in Boston, Massachusettes, through biographical material, two diaries, printed material, and photographs of Bashka Paeff and her artwork. Also found are an autograph book containing signatures and notes from MacDowell Colony members, one clippings scrapbook, and four photograph albums, including one from a trip to Europe in the 1920s.
The papers of art critic, editor, and gallery director Sidney Woodward date from 1823 to 1963, bulk 1915-1932, and measure 3.5 linear feet. The majority of the collection consists of personal and professional correspondence and collected letters that pertain to Woodward's relationships with various artists, galleries, and arts organizations. Also included in this collection are two biographical documents; lecture notes and collected writings; printed material including books relating to the topic of art, exhibition catalogs, and newspaper clippings; a few personal photographs and reference photographs of paintings; and scrapbooks containing newspaper clippings, art reproductions, and printed material from the Casson Galleries.
The collection includes: annual METCO Parent Handbooks which detailed the services METCO provided and provided other information for parents of children attending the METCO supported schools, 1977-2004; event programs from METCO gatherings, 2007-2014; flyers and handouts; and posters, including 7 hand-made posters created to be displayed at meeting...
The sound recordings of art critic Charles Giuliano include 10 sound reels and date from 1970 to 1977. Within the collection are interviews and discussions conducted or taped by Giuliano relating to the Boston, Massachusetts art scene.
The papers of artist Judith Weinshall Liberman measure 8.6 linear feet and date from circa 1940-2003. The papers consist of biographical material regarding Liberman's family and art history; images, ephemera, and correspondence related to Liberman's artwork, exhibitions, and creative process, especially related to her Holocaust Wall Hangings series; sound and video recordings of interviews, lectures, pannel discussions, and show openings; papers related to her career as a writer; and some papers related to her academic career.
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
The papers of painter Edmund Quincy measure 0.7 linear feet and date from 1891-1955, with the bulk of the materials dating from 1935-1955. In addition to biographical materials, letters, price lists, printed items, and a scrapbook documenting his painting career, Quincy's papers also include family photographs and a scrapbook concerning the political career of his father, Josiah Quincy, Mayor of Boston. Material concerning Quincy's father in some cases predates Quincy's birth. Also included are a diploma and drawings by Quincy.