In 1990, curators at the National Museum of American History began a project to develop a traveling exhibition about American music, and in the course of research, curators repeatedly returned to the Mississippi Delta area and Memphis, Tennessee to conduct interviews. A group in Memphis organized to raise the funds to complete the research, to acquire objects and artifacts, and the project ultimately became the Smithsonian-affiliated Memphis Rock 'n' Soul Museum, which opened in 2000 at 191 Beale Street.

This accession consists of records that document the planning, development, and execution of television productions for the "Here at the Smithsonian" (HATS) series. Also included are developmental materials for ideas that were not carried through to a full production, as well as material relating to singular projects unrelated to HATS. Su...

This accession consists of records created and maintained by John P. Meehan, Audio-Visual Production Specialist; Jacquie Gales Webb, Producer; Paul B. Johnson, Director; and other Radio Smithsonian staff, documenting the planning, development, and execution of original radio series and programs. Radio productions documented in this accession ...

This accession includes records documenting the film, video, and radio production activities of John P. Meehan, Audio-Visual Production Specialist; Jacquie Gales Webb, Producer; and Paul B. Johnson, Director. Material consists of correspondence, memoranda, and notes; performer's licenses; production logs; contracts and releases; music cue ...

The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.

The Aline and Eero Saarinen papers measure approximately 13.7 linear feet and date from 1906 to 1977. The bulk of the collection consists of Aline Saarinen's papers which document her relationship with her husband Eero Saarinen and other aspects of their personal lives, as well as Aline's work as an art and architectural critic, author, and television correspondent. Papers include research files for published and planned books (in which can be found scattered original letters of Stanford White, John Quinn and Edward Root) and other projects, NBC correspondent files, writings, committee files, correspondence, photographs, printed material, and miscellaneous personal papers.

The papers of Dorothy Dehner measure approximately 4.5 linear feet and date from 1920 to 1987, with the bulk of the material dating from 1951 to 1987. The collection documents the life and work of the sculptor. Papers include extensive correspondence, business and financial papers, writings, interviews, printed material, photographs, student papers, one item of art work, and scattered personal papers and material relating to David Smith.

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

The papers of architectural historian, author, critic, teacher, and museum director, Henry-Russell Hitchcock, date from 1919-1987 and measure 24.8 linear feet. Almost all of the collection is comprised of Hitchcock's correspondence files relating to academic research, teaching, curatorial interests, and professional associations. Letters are from prominent architectural historians, architects, artists, preservationists, museum directors and curators, and family and friends. Also found are two feet of writings by Hitchcock and others, scattered biographical information, printed material, and photographs of Hitchcock and architecture.

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.