The papers of silversmith, Florence Resnikoff measure 1.4 linear feet and date from circa 1950-2011. Included is professional correspondence regarding Resnikoff, silversmithing and Resnikoff's work; printed material; few photographs; price lists; and project files.

An interview of C. Carl Jennings conducted 1994 Dec. 20, by Paul Karlstrom, for the Archives of American Art.

An interview of Helen Z. Shirk conducted 2012 July 29, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Shirk's home and studio, in La Mesa, California.

An interview of David C. Freda conducted 2009 April 16-17, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Freda's studio, in San Clemente, California.

An interview of Bob Winston conducted 2002 July 31-2002 October 2002, by Suzanne Baizerman, for the Archives of American Art as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home in Concord, California.

An interview of Imogene "Tex" Gieling conducted 2008 November 21 and 2012 April 28, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Gieling's home, in San Fransisco, California.

The papers of San Francisco metal-worker, jeweler, and painter Merry Renk measure 0.9 linear feet and date from 1952 to 2000. The collection comprises business records that include sales invoices, inventories, exhibition price lists, correspondence, and other material related to Renk's business activities. Also found are printed materials, a few sketches of utensils, writings, and a video recording of the documentary "Merry Renk: Jeweler" by Alan Leveton.

An interview of Arline M. Fisch conducted 2001 July 29-30, by Sharon Church McNabb, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Fisch's home, in San Diego, California.

An interview of June Schwarcz conducted 2001 January 21, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Schwarcz's home and studio, Sausalito, California.

The papers of African American artist, curator, and arts administrator Evangeline "EJ" Montgomery measure 26.1 linear feet and date from 1929-2019. The papers relate to Montgomery's career and involvement in the African American art scene in California and Washington, D.C. The collection includes biographical materials consisting of calendars and appointment books, certificates and awards, records regarding Montgomery's personal art collection, resumes and biographies, and other personal records; correspondence with colleagues and friends such as Benny Andrews, Willis Bing Davis, Edmund Barry Gaither, Eugene Grigsby, Dele Jegede, Samella Lewis, Nzegwu Nkiru, and A.M. Weaver; professional activity files documenting Montgomery's career as a consultant, curator, member, and volunteer for a myriad of organizations including the American Association for State and Local History, National Conference of Artists, and the Oakland Museum; and research files and notes on African and African American arts and history, Black media, Black photographers, the museum profession, and the artists Betye Saar, Lois Mailou Jones, Nike Davies-Okundaye, Romare Bearden, Ruth Waddy, Sam Gilliam, and Sargent Johnson. Also included are files regarding Montgomery's career as an artist containing material on the Brandywine Workshop, interviews with Floyd Coleman and for The Historymakers, sales and consignment records, and other material; printed and documentary material consisting of art reproductions, clippings, exhibition announcements and catalogs, and posters regarding Montgomery and other African American artists; artwork by Montgomery, including student sketchbooks, and others; photographic material of Montgomery, friends and colleagues, events, personal snapshots, and works of art; and unidentified audiovisual material.