12 records — Page 1 of 2
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Creators:
Meyerowitz, William, 1887-1981
Bernstein, Theresa
Bernstein, Theresa
Dates:
1978
Size:
1 Sound cassette
Collection ID:
AAA.meyewili
Repository:
Archives of American Art

An interview of William Meyerowitz and Theresa Bernstein conducted by David Masters for the Sawyer Free Library, Gloucester, Massachusetts. Meyerowitz speaks of his background in Russia; his early interest in art; his Jewish identity and its effect on his work; immigrating to the United States and meeting Bernstein;

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Creators:
Wright Brothers Productions
Dates:
c1986
Size:
1 Item (videocassette (7 min.) (VHS), sd., col., 1/2 in.)
Collection ID:
AAA.wrigbros
Repository:
Archives of American Art

Artist William Meyerowitz's attraction to and work in Gloucester, Mass. is documented with narration by his widow Theresa Bernstein, and still photographs of Meyerowitz, Bernstein, artist-friends Stuart Davis, Edward Hopper, Marsden Hartley, and Hans Hofmann. Shown is Meyerowitz's printing press, his etchings, and his home on Mt. Pleasant Ave.

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Creators:
Meyerowitz, William, 1887-1981
Bernstein, Theresa
Dates:
1915-1978
Size:
1.2 Linear feet ((on 4 microfilm reels))
Collection ID:
AAA.meyewill
Repository:
Archives of American Art

Biographical accounts, letters, notes, writings, art work, scrapbooks, printed material, and photographs document the careers of William Meyerowitz and his wife Theresa Bernstein, both painters and printmakers.

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Creators:
Goertz, Augustus F. (Augustus Frederick), 1909-1995
Dates:
1931-1993
bulk 1977-1984
Size:
2 Linear feet
Collection ID:
AAA.goeraugu
Repository:
Archives of American Art

Papers mainly documenting Goertz's invlovement with the 1977 exhibition "New York City WPA Art: Then 1934-1943 and... Now 1966-1977" and the New York City WPA Artists, Inc. organization. Included are correspondence with Lee Krasner, Ibram Lassaw, Paul Cadmus, and William Meyerowitz; artist files; minutes of meetings and administrative files of the ...

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Creators:
Walter, Valerie Harrisse, b. 1892
Dates:
[ca. 1920]-1979
Size:
1.8 Linear feet ((partially microfilmed on 1 reel))
Collection ID:
AAA.waltvale
Repository:
Archives of American Art

Correspondence; photographs and photograph albums; business records; scrapbooks; a sketchbook; cassettes; exhibition catalogs; and clippings.

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Creators:
Audubon Artists (New York, N.Y.)
Dates:
1944-2001
Size:
6.7 Linear feet
Collection ID:
AAA.auduarti
Repository:
Archives of American Art

The records of New York based Audubon Artists, a national exhibiting organization of painters, sculptors, and graphic artists, measure 6.7 linear feet and date from 1944-2001. The collection documents the organization's adoption of its constitution and first major expansion in the mid-1940s, and its subsequent growth to the present day. The records include correspondence with artist members, administrative files, exhibition files, financial records, printed material including an almost complete run of annual exhibition catalogs and prospectuses, and photographs of artwork, juries, and other groups involved in the annual exhibitions from the 1970s to 1999.

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Creators:
Doll & Richards (Gallery)
Dates:
1863-1978
bulk 1902-1969
Size:
87.5 Linear feet
Collection ID:
AAA.dollrich
Repository:
Archives of American Art

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.

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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Creators:
Kraushaar Galleries
Dates:
1877-2006
Size:
91.9 Linear feet
Collection ID:
AAA.kraugall
Repository:
Archives of American Art

The records of New York City Kraushaar Galleries measure 91.9 linear feet and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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12 records — Page 1 of 2