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- Creators:
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Moffett, Ross
- Dates:
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circa 1870-1992
- Size:
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7.7 Linear feet
- Collection ID:
- AAA.moffross
- Repository:
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Archives of American Art
This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.
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- Creators:
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Gurr, Lena, 1897-1992
- Dates:
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1908-1979
- Size:
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7 Linear feet
- Collection ID:
- AAA.gurrlena
- Repository:
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Archives of American Art
The Lena Gurr (1897-1992) papers date from 1908 to 1979 and measure 7.0 linear feet. Gurr was a painter and printmaker who studied under John sloan and Maurice Sterne at the Art Students League between 1920-1922. She also studied in France and married painter and photographer Joseph Biel in 1931. The papers document both Gurr and Biel's careers through correspondence, notes, art work, printed material, scrapbooks, and photographs. The collection offers researchers a valuable resource for studying the New York art community of the pre-war era.
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- Creators:
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Milch Gallery
- Dates:
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1911-1995
- Size:
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42.2 Linear feet
- Collection ID:
- AAA.milcgall
- Repository:
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Archives of American Art
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
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- Creators:
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Science Service
- Dates:
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1902-1965
- Size:
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268.55 cu. ft. (79 record storage boxes) (372 document boxes) (2 12x17 boxes) (3 3x5 boxes) (3 5x8 boxes) (2 tall document boxes)
- Collection ID:
- Record Unit 7091
- Repository:
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Smithsonian Institution Archives
The bulk of this collection was processed by Jane Livermore, a devoted and tireless volunteer in the Smithsonian Institution Archives between 1995 and 2004. Livermore is a former Science Service employee. She worked in the organization's library, oversaw the educational project "THINGS of Science," and served as Assistant to the Director. ...
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 25-July 6, 2008
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2008
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Frank K. M. Rehn Galleries
- Dates:
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1858-1969
bulk 1919-1968
- Size:
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21.8 Linear feet
- Collection ID:
- AAA.franrehg
- Repository:
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Archives of American Art
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.
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- Creators:
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Gloyd, Howard K., 1902-1978
- Dates:
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1914-1973
- Size:
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9 cu. ft. (9 record storage boxes)
- Collection ID:
- Record Unit 7388
- Repository:
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Smithsonian Institution Archives
These papers consist of professional correspondence to and from Gloyd. Also included are requests for publications and extensive communications with Conant.
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- Creators:
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Smithsonian Institution, Assistant Provost for the Arts and Humanities
- Dates:
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1989-1995
- Size:
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9 cu. ft. (9 record storage boxes)
- Collection ID:
- Accession 96-093
- Repository:
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Smithsonian Institution Archives
This accession consists of records which document the official functions of the Office of the Assistant Provost for Arts and Humanities (OAP-A/H) and its predecessors from 1989 through 1995, although the bulk of the records date from 1993 to 1995. They consist mostly of memoranda, correspondence, and reports generated both within and outside ...
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- Creators:
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National Museum of African Art. Associate Director for Collections and Research
- Dates:
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circa 1983-1993
- Size:
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5 cu. ft. (5 record storage boxes)
- Collection ID:
- Accession 94-027
- Repository:
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Smithsonian Institution Archives
This accession consists of the records of Roy Sieber, Associate Director for Collections and Research at the National Museum of African Art (NMAfA), from 1983 to 1993. Materials include incoming and outgoing correspondence with other museums, universities, private collectors, and the general public; information pertaining to NMAfA exhibitions,...
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- Creators:
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Harrow, Gustave
- Dates:
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1957-1986
- Size:
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34.6 Linear feet
- Collection ID:
- AAA.harrgust2
- Repository:
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Archives of American Art
The Gustave Harrow legal records relating to the Estate of Mark Rothko measure 34.6 linear feet and date from 1957-1986. The records document the case brought by the New York State Attorney General's Office as cross-petitioner to the case brought by Rothko's daughter Kate, against the executors of Rothko's estate, Frank Lloyd and the Marlborough Gallery, for mismanagement and self-dealing. There are also records related to Harrow's writings about the case. Lastly, included in the collection are materials relating to art law issues in connection with the Metropolitan Museum of Art.