Microfilm of the Morgan Russell papers
The Morgan Russell papers, 1891-1977, present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence, biographical material, transcripts of lectures given by Russell, illustrated notebooks and sketches, printed material and photographs.
Elsie Driggs papers
The scattered papers of New York City painter Elsie Driggs date from 1924 to 1979 and measure 0.2 linear feet. Included are correspondence, writings by Driggs, personal business records, printed materials, and portrait and family photographs.
Worden Day papers
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 3.5 linear feet and date from circa 1935-1992. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material. There is a 1.0 linear foot additon, circa 1951-1992, donated in 2020 containing further papers of Worden Day.
Gary Erbe papers
Correspondence; gallery, organization, exhibition and artists' files; photographs and slides; printed material; 2 VHS videos and miscellaneous.
Elizabeth A. Jones papers
Personal and business correspondence while in the United States, London, and Rome; papers concerning her work as Chief Sculptor and Engraver of the United States Mint, 1981-1990, commemorative coins and official medals such as the George Washington commemorative half-dollar, Olympic Silver Dollar, Statue of Liberty Gold Five Dollar, Olympic Gold Five …
Jane Teller papers
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.
Photographs of works of art by George Inness compiled by Julia G. Smith
The photographs of works of art by landscape painter, George Inness, measure 1 linear foot, and date from circa 1926-1929. The collection comprises a comprehensive set of photographs of Inness's artwork compiled by his widow, Julia Goodrich Smith, shortly after his death. Smith's photographs are accompanied by a numbered index and also include one photograph of Inness, photographs of biographical items such as diplomas and certificates, and photographs of Inness's coffin and the Inness family grave site.
Jean Gabriel Lemoine papers relating to Morgan Russell
The Jean Gabriel Lemoine papers relating to Morgan Russell measure 0.2 linear feet and are comprised of 20 items that date from 1921-1923 and 1964. The item dating from 1964 is a typescript of a letter fragment. Included are 17 letters and letter fragments written by Morgan Russell in 1923 to Jean Gabriel Lemoine, art critic for L'Echo de Paris. In these letters Russell explains his art and the Synchromism style that he developed with Stanton MacDonald-Wright. Also found are a one page list naming ten paintings in his studio, an article by Lemoine about Russell, and a typed extract about Russell from La Peinture Abstraite by Michel Senghor.
Nanette Carter papers
The papers of African American abstract artist and educator Nanette Carter measure 4.9 linear feet and date from 1972 to 2009. The collection documents Carter's education and career through biographical materials, correspondence with artists and others, writings including notebooks documenting Carter's studies, exhibition files for Carter's solo and group exhibitions, files documenting teaching and other professional activities, research material including sound recordings for a book project on Carter's mentors, personal business records, and printed material.
Beverly Buchanan papers
The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18 linear feet and 34.2 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material, including audiovisual and born-digital interview recordings; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material, including born-digital and audiovisual records; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection.