The Mount Rushmore monument photographic transparencies measure 0.04 linear feet and date from circa 1938 to 1939. The color transparencies depict the construction of the presidential portraits atop Mount Rushmore. Several show the sculptor, Gutzon Borglum, and others at work on the project.
Includes ruins stabilization record sheets, elevations, and plans
Includes record sheets and snapshots
The collection consists of nine black and white silver prints by Robert Mosher of monuments in Washington, DC and Arlington, Virginia with a focus on the visitors.
Includes, Witkind, Irving J., R. E. Thaden, and C. F. Lough. File Report on the Archeological Sites in the Monument Valley Area, Arizona. 8 pages (mimeo.), 1 map. 1952. 2. Photographic prints of Kiet Siel (6), pictographs (3), and cliff dwellings (4).
Includes a separate index (ca. 24 pages).
The Thomas Carr Howe papers measure 4.4 linear feet and date from 1932 to 1984. Howe was director of the California Palace of the Legion of Honor in San Francisco for nearly 40 years, and he served as one of the Monuments Men in the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The collection documents Howe's MFAA work in Germany and Austria locating and recovering cultural artifacts and artwork stolen by the Nazis. There is significant correspondence with friends and colleagues, as well as fellow Monuments Men such as Samson Lane Faison, Edith Standen, and George Stout. The papers also includes reports, inventories of stolen artwork, maps, annotated photographs, a scrapbook, and photographs. The papers also document Howe's later work at the California Palace of the Legion of Honor.
The papers of conservator and museum director George Leslie Stout measure 6 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs.