Query: Moore, Clayton, 1914-1999
Clayton Moore "Lone Ranger" Collection
Creators:
Moore, Clayton, 1914-1999
Moore, Dawn A.
Dates:
1980-1999, undated
Size:
0.5 Cubic feet (5 boxes)
Collection ID:
NMAH.AC.0727
Repository:
Archives Center, National Museum of American History

A collection assembled by actor Clayton Moore, known as "The Lone Ranger". Moore played "The Lone Ranger", with Jay Silverheels as Tonto, on television from 1949 to 1951, when he was replaced by John Hart.

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in NMAH.AC.0727 for Moore, Clayton, 1914-1999
Robert Mosher Photoprints
Creators:
Mosher, Robert
Dates:
1971-1972, 2003
Size:
0.5 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.1203
Repository:
Archives Center, National Museum of American History

The collection consists of nine black and white silver prints by Robert Mosher of monuments in Washington, DC and Arlington, Virginia with a focus on the visitors.

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in NMAH.AC.1203 for Moore, Clayton, 1914-1999
Frederick and Mary Hill Fried Folk Art Archives
Creators:
Fried, Frederick, 1909-1994
National Carousel Association.
Fried, Mary Hill
Dates:
circa 1662-1999, undated
Size:
36 Cubic feet (89 boxes, 10 map-folders)
Collection ID:
NMAH.AC.0528
Repository:
Archives Center, National Museum of American History

Collection primarily documents American folk art collected by Frederick Fried (1908-1994) and his wife Mary McKensie Hill Fried (1914-1988). It includes photographic materials, newspaper clippings, magazine articles, research files, lecture notes, unpublished manuscripts, brochures, drawings, printed advertisements, blueprints, books, patents, correspondence, trade literature, sheet music, auction catalogs, oral history interviews, and commercially …

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in NMAH.AC.0528 for Moore, Clayton, 1914-1999
Milt Gabler Papers
Creators:
Armstrong, Lucille
Bechet, Sidney, 1897-1959
Armstrong, Louis, 1901-1971
Condon, Eddie, 1905-1973
More …
Dates:
1895-2001
Size:
25 Cubic feet (75 boxes )
Collection ID:
NMAH.AC.0849
Repository:
Archives Center, National Museum of American History

The collection documents Gabler's involvement in the recording industry and the evolution of Commodore Records. The documentation begins with the Commodore Radio Shop through its evolution to Commodore Music Shop. The collection also includes the beginnings of the Commodore record label and information detailing Gabler's 30 years as staff producer and later Vice-President in Charge of Artists and Repertoire at Decca Records (1941-1974). There is a small collection of black and white photographs chronicling the early years at the Commodore Music Shop, as well as jam sessions, often held at Jimmy Ryan's on 52nd Street. The collection also includes a vast array of audio recordings (mainly audiodiscs).

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in NMAH.AC.0849 for Moore, Clayton, 1914-1999
John Peabody Harrington papers
Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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in NAA.1976-95 for Moore, Clayton, 1914-1999
Aleš Hrdlička papers
Creators:
Hrdlička, Aleš, 1869-1943
Dates:
1875-1966
bulk 1903-1943
Size:
206.71 Linear feet (294 boxes, 138 folders, 9 rolled items, and 4 folios)
Collection ID:
NAA.1974-31
Repository:
National Anthropological Archives

The papers of Aleš Hrdlička, curator in the Division of Physical Anthropology, Department of Anthropology, United States National Museum of the Smithsonian Institution, offer considerable insight into the development of physical anthropology in the first half of this century. The papers include honors bestowed on Hrdlička, autobiographical notes, correspondence with many of the leading anthropologists of the day, anthropometric and osteometric measurements and observations (forming most of the collection), extensive photographs of Hrdlička's field work, manuscripts, research materials, and "My Journeys" (essentially a diary Hrdlička kept of his field work). In addition, there is material of a personal nature. The papers date from 1875 to 1966, but the bulk of the materials date from 1903 to 1943, the time of Hrdlička's career at the USNM.

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in NAA.1974-31 for Moore, Clayton, 1914-1999
Downtown Gallery records
Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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in AAA.downgall for Moore, Clayton, 1914-1999
Smithsonian Folklife Festival records: 1982 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 1982
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1982
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1982 for Moore, Clayton, 1914-1999
Floyd Levin Jazz Reference Collection
Creators:
Garland, Ed
Armstrong, Louis, 1901-1971
Morton, Jelly Roll, 1890-1941
Levin, Floyd, 1922-2007
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Dates:
1880 - 2010
Size:
42.5 Cubic feet (110 boxes, 12 oversize folders)
Collection ID:
NMAH.AC.1222
Repository:
Archives Center, National Museum of American History

Floyd Levin was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. The collection consists of research materials including biographical files. In addition, there are numerous photographs that were taken and collected by Levin.

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in NMAH.AC.1222 for Moore, Clayton, 1914-1999
Patricia Hills papers
Creators:
Hills, Patricia
Dates:
circa 1900-2015
bulk 1968-2009
Size:
39.1 Linear feet
0.113 Gigabytes
Collection ID:
AAA.hillspat
Repository:
Archives of American Art

The papers of art historian, curator, and educator Patricia Hills measure 39.1 linear feet and 0.113 GB and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some of this material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

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in AAA.hillspat for Moore, Clayton, 1914-1999
26 records — Page 1 of 3