This accession consists of records that document the Smithsonian Institution’s activities with the United Nations Education Science and Cultural Organization (UNESCO) concerning the preservation of endangered historical and cultural ruins such as Moenjodaro (Pakistan), Carthage (Libya), and the Abu Nidal Egyptian temples (Philae Project, ...
The collection contains 2136 color 35mm slides and 829 color 35mm negatives taken by Robert Pringle, former Ambassador to Mali, between 1980-1989. The images were taken in Mali, Burkina Faso and Kenya, and depict masquerades, vernacular architecture (including Dogon doors and granaries), mosques, marketplace scenes, pottery, masks (including plank and leaf masks), weaving, art in situ, animals and landscapes. Culture groups represented in the collection include the Tuareg, Lobi, Maasai, Mossi, Dogon, Fula and Bobo (Bwa) peoples. Ambassador Pringle traveled with photographer Christopher Roy and some of Pringle's images depict Roy at work with his own camera.
Photographs depicting government buildings, Christian missions, Buddhist pagodas and monks, Muslim mosques, industry, agriculture, and dances in Burma. People depicted include Chins, Karens, Shans, Burmese, and Methodist missionaries. Some of the handcolored lantern slides are marked by the Christian Lecture Bureau in Chicago and others depict a ma...
Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.
The collection consists of 3,194 color photographs (20 x 24 inches or smaller), 2,487 color 35mm negatives, 11 posters and 24 art prints, created circa 1981-2018 by Betty LaDuke. Additionally, printed materials including a copy of a sketchbook, biographical materials, correspondence, publications, exhibition reviews, and 3 DVDs. The negatives and photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most of the photos depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.
The photographs are cityscapes and landscapes taken by Burton E. Ashley in Egypt, South Africa, Tanzania, and Zambia during the early 1930s and early 1950s. The images include views of Cape Town, South Africa; Cairo, Egypt; Port Said, Egypt, and Mozambique. Architecture depicted includes buildings in Tanzania, a mission in Zambia and the Mohammed Ali Mosque in Cairo. Additionally, there are images of the Kalahari Desert in Botswana and rivers and waterfalls including the Luangwa, Nile, Zambezi and Victoria Falls. The collection also includes photos of animals, geological features and vegetation.
This collection documents the Asante, Baka, Baule, Berber, Dogomba, Dogon, Fulani, Gurunsi, Gonja, Hausa, Lobi, Mamprusi, Mossi, Senufo, Serer, Tsonga, Tuareg, Wolof, and Yoruba peoples; architecture, animals, artwork, celebrations, ceremonies, landscapes, masquerades, markets, mosques, portraits, shrines, and street scenes in Ghana, the Ivory Coast, Mali, Nigeria, Morocco, Republic of Benin, Central African Republic, Namibia, and Senegal.
Photographs and negatives of Sonia P. and Hans C. Seherr-Thoss. Mounted and unmounted color slides, transparencies, black and white negatives, mounted prints, contact sheets, and a photograph, circa 1960-1968. The majority of images, taken by Hans C. Seherr-Thoss, appear in their publication, Design and Color in Islamic Architecture: Afghanistan, Iran, and Turkey, published by the, Smithsonian Institution Press, in 1968. Countries depicted are Iran, Turkey, Afghanistan, Tajikistan, and Uzbekistan.
Photographs taken by James Lee in Cameroon, Ghana, Cote d'Ivoire, Kenya, Mali, Nigeria, Burkina Faso, and Zimbabwe between 1963 and 1970. The images reflect a variety of themes.
Photographs belonging to the fiancÃ©e of Mr. A.E. Ball, a missionary with the Church Missionary Society in Bida, Nigeria (Nupe). While she was waiting for him in England, he sent numerous photographs with penciled explanations to her, which she kept even after the engagement had ended. Many of the images appear to be the work of A.W. Banfield, a Canadian missionary and a contemporary of A.E. Ball, whose photographs are now in the Royal Ontario Museum in Toronto. Identical images are found in Banfield's book, Life Among the Nupe Tribe, (1905). Twenty-five of the images are portraits of African men and women in the style and size of cartes de visite. Many more of the images include group photographs of Africans and Europeans. A third subject found among the images is architecture. These images include Nupe buildings in Bida, a cathedral in the Canary Islands, a mosque and the High Commissioner's bungalow in Zumgeru.