J. Scott Odell folk music collection
The J. Scott Odell folk music collection (1945-2016, inclusive) contains AV recordings, photographs, correspondence, writings, and other materials relating to Odell's career at the Smithsonian as a musical instrument conservator and researcher of American music traditions. The collection largely consists of materials relating to Odell's research trips (often combined with personal visits) throughout the Eastern United States. Research strengths of the collection include the history of the Appalachian dulcimer and banjo, the Smithsonian Folkways project "Black Banjo Songsters," musician and poet Burt Porter, and the Bread and Puppet Theater.
William S. Soule photographs of Native Americans and camps in Kansas and Oklahoma
92 Prints (Album, silver gelatin)
30 Prints (albumen (mostly cabinet cards))
42 Prints (silver gelatin)
Photographs by William S. Soule of Native Americans and camps in the vicinity of Fort Dodge, Kansas and Camp Supply and Fort Sill, Oklahoma. Tribes represented include Arapaho, Caddo, Cheyenne, Comanche, Kiowa, Kiowa-Apache, and Wichita. One albumen print mounted on a card with C. W. Carter's photographer imprint, though the …
UNESCO Collection of Traditional Music of the World records
This collection, which dates from circa 1961-2006, contains audiorecordings from the UNESCO Collection of Traditional Music of the World, as well as related business records. Includes recordings of tradition and sacred music from Benin, Cameroon, Central African Republic, Côte d'Ivoire, Ethiopia, Madagascar, Malawi, Niger, Sudan, Argentina, Bolivia, Brazil, Chile, Cuba, Peru, Afghanistan, Australia, Cambodia, China, Korea, the Solomon Islands, India, Bali, Java, Japan, Laos, Mongolia, Uzbekistan, Pakistan, Thailand, Vanuatu, Vietnam, Algeria, Bahrain, Egypt, Iraq, Morocco, Oman, Syria, and Turkey.
Chevalier Jackson Papers
Collection documents Chevalier Jackson, a physician and an American pioneer in the field of endoscopy.
George V. Allen photograph collection of photographs of Native Americans and the American frontier
26 Negatives (glass)
10 Negatives (nitrate)
6 Autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave …
Elizabeth H. and Sarah S. Metcalf photograph collection relating to the Philippines
150 Postcards (circa, halftone, collotype, and chromolithograph)
560 Negatives (circa, nitrate)
175 Negatives (circa, glass)
85 Lantern slides (circa)
5 Linear feet (Manuscript material :)
The collection comprises photographs documenting peoples of the Philippines, including Benguet, Bogobo, Igorot, Ifugao, Moro, and Negrito people and their environment. ALso included are photographs of the military presence in the Philippines. The photographs, including prints and postcards, were made or collected by Elizabeth H. and Sarah S. Metcalf during …
Smithsonian Folklife Festival records: 1970 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
William Wildschut Photograph Collection
21 Photographic prints
The William Wildschut photograph collection contains 183 photographic negatives, and 89 post cards. From 1917 to 1928 William Wildschut studied the Apsáalooke people through interviews, photography, and the collection of cultural objects. In 1921 Wildschut was hired as a field man by George Gustav Heye the director of the Museum of the American Indian, Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum until 1928. Wildschuts photographs include portrait style photos of Apsáalooke people, special events, daily reservation life, interments, and encampments. Tribes represented in this collection are primarily Apsáalooke, the postcard collection consists of other tribes including Lakota, Arapaho, and other unidentified tribes.
Reproductions of sand paintings by a Navajo medicine man. Twenty-eight of them are traditional sand paintings; four are secular paintings. They are described individually in the NAA art work inventory.