REELS 971-972: Correspondence, clippings, receipts, contracts, sketches and descriptions related to mural commissions for the Birmingham Public Library, George Rogers Clark Memorial, University of Rochester and the Eastman School of Music, Library of Congress, U.S. Supreme Court Building, and the Chase National Bank International Building; biograph...

Biographical materials including awards and resumes; correspondence, 1934-1979, regarding his mural work for the Federal Work Agency in New York and elsewhere, with his wife, Barbara, while traveling and working across the country, between Barbara and their children, and with the Mortimer Levitt and Ryan galleries and others; mailing lists of perso...

Financial and business records relating to various commissions, including the decorative work on the S.S. America, the S.S. United States, and Grace Line ships Santa Rosa and Santa Paula; the mural decoration of the World War II battle monument in Draguignan, France; the decorative map in the Boston Federal Reserve Bank; and the spandrel sculpture ...

Letters, 1879-1918, of Adelaide Deming: She writes to Victor Hugo, 1879, requesting an autographed photo of him; the reply from his secretary includes the photo. Booker T. Washington requests a painting for the Tuskegee Institute, and in a second note acknowledges a drawing which she sent. Other letters are from Julia Marlowe Sothern, Hamilton Holt...

The papers of painter, muralist, children's book author and illustrator James Daugherty measure 6.5 linear feet and date from 1904-1978. The papers document Daugherty's career and artistic process through a small amount of biographical material, correspondence, writings, printed material, and sketchbooks. The 150 sketchbooks span seven decades and are the bulk and highlight of this collection. They contain preparatory drawings and sketches for artworks, murals, and illustrations, as well mock-ups for books, travel sketches, and a good deal of writing. Daugherty worked in both a non-objective abstract style and in representational illustration. His illustrations depict biblical stories and familiar characters and caricatures from American folklore including Revolutionary War heroes, Native Americans, American explorers and frontiersman.

Letters, photographs, clippings, and business records relating to the art careers of Spencer Baird Nichols, his brother Hobart Nichols, and their father Henry Hobart Nichols, in the New York and Connecticut area.

Photographs, artwork, scrapbooks, and Tulk's autobiography document his career as an artist. Over 160 photographs (ca. 1920's-1980's) depict Tulk and his work. Eighty-three drawings and paintings range from student work at Yale to professional designs for the Rambusch Company and other design firms. Two scrapbooks assembled by Tulk contain reviews ...

The papers of designer, illustrator, and muralist John Vassos measure 18.7 linear feet and date from 1915 to 1989. The papers include biographical materials, personal and professional correspondence, writings and writing project files, Industrial Designers Society of America (IDSA) files, Radio Corporation of American (RCA) files, Silvermine Guild of Artists files, general professional and committee files, printed materials, four scrapbooks, photographic materials, and artwork.

The papers of mural painter and illustrator Arthur Sinclair Covey measure 5.7 linear feet and date from 1882 to 1960. Found within the papers are biographical material; correspondence with art institutions, patrons, and colleagues; scattered business and financial records; notes and writings by Covey and others, including a transcript of an interview with Covey by a radio station; art work and sketchbooks by Covey and his colleagues including Paul Bransom, Harvey Dunn, and Edward Penfield; project files concering Covey's mural projects; a scrapbook of clippings; additional printed material; and photographs of Covey, family members, colleagues, and art work.

The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.