Collection documents the manufacture of both freshwater pearl and plastic buttons in Muscatine, Iowa, including at least 12 different companies from primarily 1925 to the 1960s.
The papers of painter, muralist, and designer William E. L. Bunn measure 13.4 linear feet and date from 1863-2009. The collection documents Bunn's career as a painter, industrial designer, and his work on Treasury Department post office mural commissions through biographical material, scattered correspondence, project files, industrial design records, diaries and journals, writings and notes, printed material, photographs, and artwork. Also found are Bunn's papers regarding Grant Wood.
These papers consist of correspondence with conchologists, naturalists, and shell collectors pertaining to shell collections and exchanges, and responses to Shimek's questionnaires on Pomatiopsis lapidarias and other shells; notebooks listing personal names of those to whom Shimek sent his publications on loess, geology, and botany; a not...
The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career as a sculptor with international presence through certificates, personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, and photographs, sound and video recordings, and motion picture film documenting his work and career.
The papers of New York sculptor, collector, and dealer George Grey Barnard measure 11.6 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
This record unit includes correspondence, drawings, and maps regarding American archaeology. Most of the correspondence was probably sent to the Smithsonian in response to Circular 316, but some make no reference to the Circular. A small portion antedated its release. These were probably included in the collection because of the related subjec...