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- Creators:
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Reagan, Albert B., 1871-1936
- Dates:
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undated
- Size:
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212 Pages
2 Maps
3 Items (musical score pages )
- Collection ID:
- NAA.MS1802
- Repository:
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National Anthropological Archives
Includes text and drawings, 2 sketch maps, 21 native drawings, 3 pages musical scores.
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- Creators:
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Basile, Mark
Coca, Imogene
- Dates:
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1879-2008
- Size:
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7.5 Cubic feet (5 boxes, 4 framed items, 12 accordion folders, two loose stacks)
- Collection ID:
- NMAH.AC.1479
- Repository:
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Archives Center, National Museum of American History
The collection documents the life and career of comedian Imogene Coca.
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- Creators:
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Kass, Stephen M.
- Dates:
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circa 1930s
- Size:
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0.27 Linear feet (1 box)
- Collection ID:
- ACMA.06-061
- Repository:
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Anacostia Community Museum Archives
The collection, which dates from circa 1930 to 1939 and measures .27 linear feet, is comprised of 6 musical scores and one small Luzianne coffee can. Musical scores include: 1) Minstrel Book; 2) Cotton Club Parade 27th edition; 3) O Death Where is Thy Sting?; 4) The Moon Shines on the Moonshine; 5) Zip-a-Dee-Doo-Dah; 6) When You Sang Hush-a-bye Baby to Me.
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- Creators:
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Challis, John, 1907-1974
Frayer, William W.
Truesdale, Ephraim
- Dates:
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circa 1900-1974
- Size:
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24 Cubic feet
- Collection ID:
- NMAH.AC.1375
- Repository:
-
Archives Center, National Museum of American History
The collection documents the Challis Harpsichord business, and the lives of Mr. Challis and his partner, Ephraim Truesdale. The collection contains correspondence, both personal and business; business records, including ledgers and journals; drawings, including design drawings for harpsichord decorations and elements; client files; subject files, e...
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- Creators:
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Rogers, John B., Producing Company
Community Life, Div. of, NMAH, SI
- Dates:
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1929-1934.
- Size:
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0.33 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.0245
- Repository:
-
Archives Center, National Museum of American History
The John B. Rogers Producing Company was established in 1903 as a supplier of costumes, sets, lights, and scripts for amateur theater. Its main office remained in Fostoria, Ohio until 1977, when the company moved to Pittsburgh, Pennsylvania.
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- Creators:
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Eilshemius, Louis M. (Louis Michel), 1864-1941
- Dates:
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1897-1941
- Size:
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30 Items ((partially microfilmed on 3 partial reels))
- Collection ID:
- AAA.eilsloup
- Repository:
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Archives of American Art
Published poems, memoir, brochures, announcements and a musical score by Eilshemius; exhibition catalogs; and clippings.
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- Creators:
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Bergman, W.
- Dates:
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1855
- Size:
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0.43 cu. ft. (1 12x17 box)
- Collection ID:
- Accession 99-031
- Repository:
-
Smithsonian Institution Archives
This accession consists of the musical score of the Smithsonian Polka composed by W. Bergman, a music teacher, and published by Hilbus and Hitz of Washington, DC. The score is four pages long. It was originally a gift from Mrs. Herbert Hoover to the Charles D. Walcott family, who gave it to the Smithsonian Institution in May 1934.
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- Creators:
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Couper, Greta Elena
- Dates:
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circa 1850-1988
- Size:
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0.9 Linear feet
- Collection ID:
- AAA.coupgret
- Repository:
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Archives of American Art
Photographs, correspondence, printed material and a handwritten music score sheet relating to artists Thomas Ball and his son-in-law William Couper, compiled by Greta Couper for publications about Ball and Couper.
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- Creators:
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Manger, Alfred
Grey Hawk, Dakota
Bear, Dakota (recorder)
- Dates:
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undated
- Size:
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15 Pages
- Collection ID:
- NAA.MS4305
- Repository:
-
National Anthropological Archives
Consists of Manuscript musical score, with words of various Dakota songs (e.g. Song of the Strong Heart Society sung by Grey Hawk; theme song of a social dance, recorded by Bear).
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- Creators:
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Tucker, Irma
Tucker, Bobby, 1923-2008
Eckstine, Billy
Jones, Quincy, 1933-
More … - Dates:
-
1883-2007, undated
- Size:
-
36 Cubic feet (88 boxes)
- Collection ID:
- NMAH.AC.1141
- Repository:
-
Archives Center, National Museum of American History
The collection documents the life and musical career of Robert "Bobby" Tucker. The collection particularly emphasizes Tucker's close collaboration with Billy Eckstine over a forty-year period from approximately 1949-1990, and includes original orchestrations of arrangements by Tucker and other arrangers, a complete set of commercial recordings by Eckstine for which Tucker served as arranger, and ephemeral material including photographs, concert programs and news clippings.