150 records — Page 1 of 15
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Creators:
Reagan, Albert B., 1871-1936
Dates:
undated
Size:
212 Pages
2 Maps
3 Items (musical score pages )
Collection ID:
NAA.MS1802
Repository:
National Anthropological Archives

Includes text and drawings, 2 sketch maps, 21 native drawings, 3 pages musical scores.

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Creators:
Basile, Mark
Coca, Imogene
Dates:
1879-2008
Size:
7.5 Cubic feet (5 boxes, 4 framed items, 12 accordion folders, two loose stacks)
Collection ID:
NMAH.AC.1479
Repository:
Archives Center, National Museum of American History

The collection documents the life and career of comedian Imogene Coca.

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Creators:
Kass, Stephen M.
Dates:
circa 1930s
Size:
0.27 Linear feet (1 box)
Collection ID:
ACMA.06-061
Repository:
Anacostia Community Museum Archives

The collection, which dates from circa 1930 to 1939 and measures .27 linear feet, is comprised of 6 musical scores and one small Luzianne coffee can. Musical scores include: 1) Minstrel Book; 2) Cotton Club Parade 27th edition; 3) O Death Where is Thy Sting?; 4) The Moon Shines on the Moonshine; 5) Zip-a-Dee-Doo-Dah; 6) When You Sang Hush-a-bye Baby to Me.

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Creators:
Challis, John, 1907-1974
Frayer, William W.
Truesdale, Ephraim
Dates:
circa 1900-1974
Size:
24 Cubic feet
Collection ID:
NMAH.AC.1375
Repository:
Archives Center, National Museum of American History

The collection documents the Challis Harpsichord business, and the lives of Mr. Challis and his partner, Ephraim Truesdale. The collection contains correspondence, both personal and business; business records, including ledgers and journals; drawings, including design drawings for harpsichord decorations and elements; client files; subject files, e...

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Creators:
Rogers, John B., Producing Company
Community Life, Div. of, NMAH, SI
Dates:
1929-1934.
Size:
0.33 Cubic feet (1 box)
Collection ID:
NMAH.AC.0245
Repository:
Archives Center, National Museum of American History

The John B. Rogers Producing Company was established in 1903 as a supplier of costumes, sets, lights, and scripts for amateur theater. Its main office remained in Fostoria, Ohio until 1977, when the company moved to Pittsburgh, Pennsylvania.

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Creators:
Eilshemius, Louis M. (Louis Michel), 1864-1941
Dates:
1897-1941
Size:
30 Items ((partially microfilmed on 3 partial reels))
Collection ID:
AAA.eilsloup
Repository:
Archives of American Art

Published poems, memoir, brochures, announcements and a musical score by Eilshemius; exhibition catalogs; and clippings.

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Creators:
Bergman, W.
Dates:
1855
Size:
0.43 cu. ft. (1 12x17 box)
Collection ID:
Accession 99-031
Repository:
Smithsonian Institution Archives

This accession consists of the musical score of the Smithsonian Polka composed by W. Bergman, a music teacher, and published by Hilbus and Hitz of Washington, DC. The score is four pages long. It was originally a gift from Mrs. Herbert Hoover to the Charles D. Walcott family, who gave it to the Smithsonian Institution in May 1934.

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Creators:
Couper, Greta Elena
Dates:
circa 1850-1988
Size:
0.9 Linear feet
Collection ID:
AAA.coupgret
Repository:
Archives of American Art

Photographs, correspondence, printed material and a handwritten music score sheet relating to artists Thomas Ball and his son-in-law William Couper, compiled by Greta Couper for publications about Ball and Couper.

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Creators:
Manger, Alfred
Grey Hawk, Dakota
Bear, Dakota (recorder)
Dates:
undated
Size:
15 Pages
Collection ID:
NAA.MS4305
Repository:
National Anthropological Archives

Consists of Manuscript musical score, with words of various Dakota songs (e.g. Song of the Strong Heart Society sung by Grey Hawk; theme song of a social dance, recorded by Bear).

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Creators:
Tucker, Irma
Tucker, Bobby, 1923-2008
Eckstine, Billy
Jones, Quincy, 1933-
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Dates:
1883-2007, undated
Size:
36 Cubic feet (88 boxes)
Collection ID:
NMAH.AC.1141
Repository:
Archives Center, National Museum of American History

The collection documents the life and musical career of Robert "Bobby" Tucker. The collection particularly emphasizes Tucker's close collaboration with Billy Eckstine over a forty-year period from approximately 1949-1990, and includes original orchestrations of arrangements by Tucker and other arrangers, a complete set of commercial recordings by Eckstine for which Tucker served as arranger, and ephemeral material including photographs, concert programs and news clippings.

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150 records — Page 1 of 15