The papers of Dominic Di Mare measure 3.2 linear feet and date from 1950 to 2003. The collection provides an overview of Di Mare's career as a fiber artist through biographical information, correspondence, writings, printed material, artwork, and photographs.
The papers of internationally renowned glass artist and sculptor, Mary Shaffer, measure 4.2 linear feet and date from 1969 to 2002. Through correspondence, subject files, printed material and photographs the collection provides an overview of many aspects of Shaffer's career, including commissions, exhibitions, her teaching appointments, and the day-to-day administration of her affairs.
The papers of fiber artist James Bassler measure 3 linear feet and date from 1969 to 2003. The papers consist of biographical material, correspondence, personal business records, writings, professional files, printed material, and five scrapbooks. Much of the material was assembled by Bassler as supporting documentation for tenure at UCLA.
The papers of fiber artist and educator Trude Guermonprez measure 1.2 linear feet and date from circa 1900 to 1987 with the bulk of the material dating from 1932 to 1976. The collection includes biographical material, diaries, correspondence, printed material, artwork, and photographs.
The papers of jeweler and designer Mary Ann Scherr measure 4.0 linear feet and 0.282 GB and date from 1941 to 2013, with the bulk of the material from 1960 to 2000. Scherr's career is documented through scattered biographical material and a digital video recording of an interview; correspondence with museums, universities, professional entities, and colleagues; writings by her as well as professional and student writings about her; business records documenting projects and connections with institutions and organizations; news clippings, promotional ephemera, catalogs, posters, and other printed materials; and photographs of Scherr and of her artwork. An additional 2.0 linear feet donated in 2016 includes biographical material including information about Scherr's children, resumes and awards; personal and professional correspondence; teaching files and material regarding honorary degrees; project files pertaining to Scherr's "Body Monitors" jewelry; financial records including invoices for projects and supplies; photographs of Scherr with her designs, with others, and of works of art; artwork consisting of designs, illustrations, and computer clip art design; and printed material.
The papers of metalsmith, jeweler, and educator Arline M. Fisch measure 9.8 linear feet and 3.82 GB date from 1931 to 2015. The papers include awards and certificates, correspondence, exhibition and gallery files, project files, San Diego State University teaching files, membership records, and printed and digital and photographic materials.
The papers of influential blacksmith, sculptor, metalsmith and educator, L. Brent Kington, measure 9 linear feet and date from 1944 to 2012. The collection provides a valuable overview of Kington's career through correspondence relating primarily to exhibitions, subject files, drawings, photographs of Kington and his artwork, printed matter and audiovisual material. An additional 5.2 linear feet of papers was accessioned from 2007 to 2012 and remains unprocessed.
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.
The records of the Dorothy Weiss Gallery measure 18.7 linear feet and date from circa 1964 to 2001 (bulk 1984-2000). The collection documents the gallery's relationships with approximately three hundred artists, through artist files, exhibition files, and subject files, and is an excellent source of information on the work of contemporary ceramic and glass sculptors.
The papers of ceramist William P. Daley measure 15.2 linear feet and date from 1905-2004 (bulk 1951-2001). The collection documents Daley's career as both artist and teacher through biographical information, correspondence, exhibition files, project files, material on workshops, seminars, and lectures, teaching files, artist files, reference files, printed material, photographs, financial files, and artwork.