This accession consists of records of the Audubon Naturalist Society of the Central Atlantic States. These materials were created and maintained by past society president, Stanwyn G. Shetler, and include correspondence, memoranda, minutes, notes, lectures, brochures, newspaper clippings and publications.
Joseph Sill selected diaries
Ca. 850 pages of selected art related excerpts from Sill's diaries. The diaries date from 1832 to 1854 and document his own painting activities, his association with the Artists and Amateurs Association, Artists' Fund Society, and Pennsylvania Academy of the Fine Arts. He gives his reactions to the work of other artists as …
This accession consists of records documenting the activities of the Audubon Naturalist Society of the Central Atlantic States. Materials include correspondence, financial records, minutes, notes, lectures, manuscripts and exhibit records. These records were created and maintained by Stanwyn G. Shetler.
Professional Activity Files
This accession consists of records documenting the professional activities and official travel of the Director of the Smithsonian Institution's Biodiversity Program, Don E. Wilson, 1990-2000. The bulk of the material relates to Wilson's participation in meetings regarding bat research. Records created prior to 1990 were created and transferred by Wilson upon his …
Domenico Facci papers
The Domenico Facci papers are dated 1914 to 1995, with the bulk falling between the years 1950 and 1984. They measure 1.2 linear feet and consist of biographical material, correspondence, artwork relating to sculpture projects, printed material, and photographs. Among the well-documented aspects of Facci's professional career are: his leadership roles in several arts organizations based in New York City, including Audubon Artists, National Sculpture Society, and Artists Equity Association; his work on the United States Treasury's 1988 Olympic Games commemorative coin competition, Brooklyn Bridge 100th Anniversary reliefs, Endangered Species Medal, and Neptune Fountain at Busch Gardens in Williamsburg, VA.
These records document the history, operation, and activities of the ANS (before 1960, the Audubon Society of the District of Columbia). They also help to illustrate the evolution of the local and national conservation movement; environmental legislation and issues supported by ANS; the development of environmental education; and the natural history …
Edward H. Dwight Papers
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still-life painting.
Florence Merriam Bailey Papers
These papers consist of Florence Merriam Bailey's diaries, 1874, 1887, as well as additional journals kept on trips to the Bermuda Islands, 1890; California, 1907; and Maine; 1911. Other materials include expense account books; articles and news clippings concerning and written by Bailey; a scrapbook; childhood writings; college papers and memorabilia; manuscripts of papers on …
John W. Aldrich Oral History Interviews
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program …
Benedict Tatti papers
The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.