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- Creators:
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Romney, George
Kane, Paul, 1810-1871
- Dates:
-
undated
- Size:
-
3 Items (reproductions )
- Collection ID:
- NAA.MS4642
- Repository:
-
National Anthropological Archives
Catalog Number 4642: (1) Tribe: Mohawk Subject: Joseph Brant [Thayendanegea]. (Color reproduction) Artist: George Romney, 1734-1802. (2) Blackfoot "Blackfoot Chief and Subordinates." (Color reproduction) Artist: Paul Kane, 1810-1871. (3) [Chippewa, Assiniboin ?] "White Mud Portage, Winnipeg River." Artist: Paul Kane, 1810-1883.
Found In
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- Creators:
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Luna, James
National Museum of Natural History (U.S.). Native American Public Programs
- Dates:
-
November 13, 1992
- Collection ID:
- NAA.MS7514
- Repository:
-
National Anthropological Archives
The tape is of a lecture given at Baird Auditorium in the National History Building at the Smithsonian Institution. A pamphlet about Luna is included. Related photographs are in NAA Photographic lot 91-26.
Found In
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- Creators:
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Baylinson, A. S., 1882-1950
- Dates:
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1929-1955
- Size:
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0.2 Linear feet
- Collection ID:
- AAA.baylas
- Repository:
-
Archives of American Art
The collection measures 0.2 linear feet, dates from 1929 to 1955, and provides information about the career of modern realist painter A. S. Baylinson. Found are a biographical account, printed material, and photographs of Baylinson and of his works of art.
Found In
W.G. Constable papers
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- Creators:
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Constable, W. G. (William George), 1887-1976
- Dates:
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1905-1983
bulk 1920-1976
- Size:
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25.7 Linear feet
- Collection ID:
- AAA.conswmgp
- Repository:
-
Archives of American Art
The papers of art historian and museum curator W.G. (William George) Constable measure 25.7 linear feet and date from 1905 to 1981, with the bulk of the material from 1920 to 1976. The papers include biographical material; professional and personal correspondence; extensive lectures, writings, and notes; exhibition and book research files; printed materials; and photographs, glass plate negatives, and slides. There is substantive correspondence related to Constable's participation in the American Defense Harvard Group and about the formation of the Roberts Commission, including correspondence with Ralph Perry, Hugh Hencken, Paul Sachs and George L. Stout. There are numerous official reports prepared by Constable after World War II for the U. S. Office of Military Government for Germany.
Found In
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- Creators:
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The Arctic Circle (Gallery: Los Angeles, Calif.)
Witt, Ellen, 1917-2007
Witt, Bert
- Dates:
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1967-1987
bulk 1971-1986
- Size:
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634 slides (photographs)
152 Photographs
1.6 Linear feet
- Collection ID:
- NMAI.AC.004
- Repository:
-
National Museum of the American Indian
The Arctic Circle records include materials gathered by Bert and Ellen Witt for their private gallery of Inuit art The Arctic Circle. These materials include native artists information which is organized by community, reference material organized topically, slides from the gallery's annual print collections as well as photographs of scupltures and textiles displayed in the gallery. Much of the reference material used by the gallery pertains to native communities in the Nunavet Territory of Canada such as Cape Dorset and Baker Lake as well as other small communities throughout the Northwest Territiories. Additionally photographs taken by Bert and Ellen Witt's son Tony during a trip to Canada in 1973 are included in this collection.
Found In
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- Creators:
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Reed, Joseph Verner
- Dates:
-
undated
- Size:
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109 Sheets
- Collection ID:
- NAA.MS4794
- Repository:
-
National Anthropological Archives
Mainly from unidentified (19th century ?) publications, (but including some from Schoolcraft's Indian Tribes, Bureau of American Ethnology Annual Reports, U. S. Pacific Railroad Exp. & Surveys, etc.). Subjects are mainly from northeastern Canada and United States, Northwest Coast and California.
Found In
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- Creators:
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National Portrait Gallery. Department of Exhibitions and Collections Management
- Dates:
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1982-1993
- Size:
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2 cu. ft. (2 record storage boxes)
- Collection ID:
- Accession 03-110
- Repository:
-
Smithsonian Institution Archives
This accession consists of records that document outgoing and incoming loans for exhibition. Files are titled by organization and length of loan.
Found In
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- Creators:
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National Portrait Gallery. Office of Exhibitions
- Dates:
-
1980-1996
- Size:
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29 cu. ft. (29 record storage boxes)
- Collection ID:
- Accession 97-083
- Repository:
-
Smithsonian Institution Archives
This accession consists of records which document the work of the Office of Exhibitions on exhibitions that were mounted by the National Portrait Gallery (NPG) from 1980 to 1995. Major exhibitions undertaken by the NPG in this period, and documented in these records, include Benjamin West and His American Students (1980-1981); Charles Wil...
Found In
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- Creators:
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National Portrait Gallery. Office of the Director
- Dates:
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1937-1990
- Size:
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38 cu. ft. (38 record storage boxes)
- Collection ID:
- Record Unit 426
- Repository:
-
Smithsonian Institution Archives
The first NPG director, Charles Nagel, was appointed in 1964. Most of the records document the director's efforts to initiate programs to fulfil the second mission of the Gallery: to provide a research center for American biography, iconography, and history. To achieve this objective, Charles Nagel established the Catalogue of American Po...
Found In
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- Creators:
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Thomas, Jeff, 1956-
- Dates:
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1982-1994
- Size:
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5 Photographic prints (silver gelatin)
- Collection ID:
- NMAI.AC.055
- Repository:
-
National Museum of the American Indian
The photographs include an image of Jack Moore, a Pima dancer, with the American flag painted on his face; a portrait of the dancer Kevin Haywahe (Assiniboine) wearing a wolf-hide and feather headdress with beaded sun wheel medallion and beaded appendage, elaborate face painting, pipe bead necklace and elaborately beaded breast ornament; an outdoor view of a young boy posed beside grafitti that reads "Cultural Revolution"; a young man standing in front of a grain elevator and wearing a t-shirt with an image of Christopher Columbus and the caption "Founder of the New World"; and a triptych documenting the urban Onondaga Iroquois experience in Ottawa, Ontario.