Oral history interview with Stephen Antonakos
An interview of Stephen Antonakos conducted 1975 May 9, by Paul Cummings, for the Archives of American Art.
Stephen Antonakos papers
The papers of American sculptor Stephen Antonakos measure 24.2 linear feet and 1.73 GB and date from 1932-2014, with the bulk of the material dating from 1960-2014. The collection documents Antonakos's pioneering work in neon, through biographical material, correspondence, writings and notes, project files, exhibition files, printed and digital material, and photographs.
This accession consists of records documenting publicity for exhibitions, lectures, films, public programs, and other activities. Exhibitions documented in this accession include Clyfford Still: Paintings, 1944-1960; Edward Ruscha; Regarding Beauty: A View of the Late Twentieth Century; William Kentridge; Alberto Giacometti, 1901-1966; DIRECTIONS: Alison Saar; DIRECTIONS: Juan Munoz; DIRECTIONS: Robert Cummings: Intuitive …
Oral history interview with Luis Jimenez
124 Pages (Transcript)
An interview of Luis Jimenez conducted 1985 Dec. 15-17, by Peter Bermingham, in Tuscon, Ariz., for the Archives of American Art.
These records document the work of Judith K. Zilczer in the Hirshhorn Museum and Sculpture Garden's (HMSG) Department of Painting and Sculpture, as Historian, Associate Curator of Painting, and acting Chief Curator. The records include Zilczer's exhibition files, correspondence and memoranda, research files and professional activities files. The records contain …
This accession consists of records that document the publicity that promoted and supplemented exhibitions at the Hirshhorn Museum and Sculpture Garden. There is also a smaller amount of material in boxes 5 and 6 that document general museum activities and events. Materials include press releases, brochures, clippings, fact sheets, notes, pamphlets, photographs …
Noah Purifoy papers
The papers of African American assemblage artist Noah Purifoy measure 1.2 linear feet and date from 1935 to 1998 with the bulk of the material dating from 1971 to 1998. The collection contains biographical material; correspondence; writings on Purifoy and art; material related to the California Arts Council; material related to other professional activities, including commissions and exhibitions; printed material; and scrapbooks.
Jack Brogan papers
The papers of technical artist, fabricator, and conservator Jack Brogan measure 4.25 linear feet and date from 1968 to 2016 with the bulk of the collection dating from 1971 to 2009. The collection documents Brogan's collaboration with many artists associated with Southern California Light and Space art to help realize their ideas. Papers include biographical material, project files, printed material, photographic material, and artwork. There is a 2.0 linear foot unprocessed addition to this collection donated in 2020 that includes files related to projects with Robert Irwin, Tony DeLap, Robert Therrien, Philip Aziz, Peter Alexander, Roy Lichtenstein, Lita Albuquerque and others. Some files relate to repairs to work by Lynda Benglis, Larry Bell, John McCracken, Hal Metzer. Several files relate to projects Brogan worked on for churches and synagogues, including First Baptiste Church, Pomona, California. Many contain multiple original drawings, sketches, and notes by artists. Material dates from 1973-2014.
Kenneth M. Swezey Papers
Sarony, Napoleon, 1821-1896
Tesla, Nikola, 1856-1943
The collection consists of correspondence (both of Nicola Tesla and Kenneth Swezey), copies of patents, articles, pamphlets, brochures, stamps, newsletters, and manuscripts, from 1890-1972 collected and assembled by Swezey.
Rose Slivka papers
The papers of craft expert Rose Slivka, an editor, writer, critic, and educator, measure 20.8 linear feet and date from circa 1947-2006. The papers reflect Slivka's work with associations and universities to encourage the recognition of crafts as an international and broadly defined art form. The routine business of publishing Craft Horizons magazine and the founding and operation of Craft International magazine are documented by correspondence and subject files. Correspondence is mainly professional with some scattered personal letters. Subject files concern various organizations, individuals and events related to Slivka's work and interests. Among the writings are manuscripts, notes, and research materials for her book about Peter Voulkos; also included are shorter writings on a variety of topics, poems, 2 diaries, lectures and talks. There are many interviews with craftspeople and artists conducted by Slivka and others, some undertaken as research for articles. Photographs include views of Slivka, craftspeople she observed when traveling abroad, and artwork.