The papers of art dealer and gallerist Niel Lovisco measure 0.2 linear feet and date from 1942 to 1989. The collection contains material relating to art galleries owned or directed by Niel Lovisco, including the Lovisco Gallery, the Bearskin Neck Gallery, and the Art Center Gallery, and consists of printed material, gallery records, Art Inview records, and a subject file on William Meyerowitz and Theresa Bernstein.
68 cassette audiotape recordings of oral history interviews and presentations, and 55 newsletters compiled by the New York Chapter of the Duke Ellington Society, 1960-1991. Audiotapes and Newsletters from the New York Chapter of the Duke Ellington Society Meetings.
The Marcel Breuer papers, 1920-1986, contain biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document the career of architect and designer Marcel Breuer.
Photographic prints primarily depicting American scenes by "street photographer" Paul Ickovic.
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Dredging forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
The original manuscript for Coltrane's compositionA Love Supreme.
The papers of New York art collector Douglas Cramer measure 1.3 linear feet and date from circa 1970-2014. Papers include letters from artists, four guest books signed by visitors to Cramer's art collection and attendees of his parties, printed material documenting Cramer's career in television as well as his prominence as an art collector, and photographs of people and artists who attended his parties including Ellsworth Kelly, Ed Ruscha, Mary Boone, Leo Castelli, and others.
The papers of painter, photographer, and art history instructor René Santos measure 0.9 linear feet and date from 1970 to 1987. The papers document Santos's career through biographical records including one sound recording of Santos's memorial service, correspondence to Santos and sympathy letters upon Santos's death, writings and notes by Santos including one diary, printed material, and photographic material including slides of Santos with friends and his artwork.
Relate to Cuna Indians, Island of Carti, Panama, 1966.
Denies the Algonquian affinity of Blackfoot and Cheyenne. Marginal notes in red by "JM" [James Mooney].